"[These essays] plumb the traditional American canon—and significant texts on its periphery—to contend with the questions of national ethos and identity that resound today. Editors Kristen Case and Alexandra Manglis suggest the ways poetry might be both agitator and balm in times of social crisis, as thirteen poets write about topics such as Poe and race, gun violence, and the Black pastoral." Poets & Writers

"Displaying a sophisticated sense of poetics as well as a good grasp of history and its implications for the present moment . . . [the editors] have done a remarkable job of bringing together such a challenging collection." Harvard Review

The nineteenth century is often viewed as a golden age of American literature, a historical moment when national identity was emergent and ideals such as freedom, democracy, and individual agency were promising, even if belied in reality by violence and hypocrisy. The writers of this “American Renaissance”—Thoreau, Fuller, Whitman, Emerson, and Dickinson, among many others—produced a body of work that has been both celebrated and contested by following generations.As the twenty-first century unfolds in a United States characterized by deep divisions, diminished democracy, and dramatic transformation of identities, the co-editors of this singular book approached a dozen North American poets, asking them to engage with texts by their predecessors in a manner that avoids both aloofness from the past and too-easy elegy. The resulting essays dwell provocatively on the border between the lyrical and the scholarly, casting fresh critical light on the golden age of American literature and exploring a handful of texts not commonly included in its canon.A polyvocal collection that reflects the complexity of the cross-temporal encounter it enacts, 21 | 19 offers a re-reading of the “American Renaissance” and new possibilities for imaginative critical practice today.
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“Kristen Case and Alexandra Manglis have put together something beautiful and deep about how things go together in a place that sells, but no longer prides, itself on having figured out how things go together better than any other place, at any time. This anthology tells the truth and exposes that lie.” —FRED MOTEN
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Contents Foreword, Approximity (in the life, her attempt to bring the life of her mother close Fred Moten Introduction, Unsettling Proximities Kristen Case and Alexandra Manglis Thinking as Burial Practice: Exhuming a Poetic Epistemology in Thoreau, Dickinson, and Emerson Dan Beachy-Quick Feeling the Riot: Fugitivity, Lyric, and Enduring Failure José Felipe Alvergue Essay in Fragments, a Pile of Limbs: Walt Whitman’s Body in the Book Stefania Heim Citation in the Wake of Melville Joan Naviyuk Kane Touching the Horror: Poe, Race, and Gun Violence Karen Weiser Homage to Bayard Taylor Benjamin Friedlander Revising The Waste Land: Black Antipastoral & The End of the World Joshua Bennett Henry Ossawa Tanner, 1859–1937: Night Over Night Cole Swensen Nights and Lights in Nineteenth Century American Poetics Cecily Parks The Earth Is Full of Men Brian Teare Making Black Cake in Combustible Spaces M. NourbeSe Philip “The Tinge Awakes”: Reading Whitman and Others in Trouble Leila Wilson Acknowledgments Works Cited Illustration Credits Editors Contributors
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Full galley run for major media, poetry media, the academic market, booksellers, and librarians, and salesforce by request Reading group guide available on Edelweiss and downloadable on publisher’s site Promotion at ALA Annual in June 2019 Newsletter promotion via the publisher to poetry and academic lists of more than 20,000 contacts Advertising in writing-focused media, Poets & Writers and Writer's Chronicle East Coast touring and major events at Yale University, Harvard University, and Penn State
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Produktdetaljer

ISBN
9781571313775
Publisert
2019-09-26
Utgiver
Vendor
Milkweed Editions
Høyde
215 mm
Bredde
152 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
232

Foreword by

Om bidragsyterne

Alexandra Manglis is an editor, writer of short fiction and creative non-fiction, and co-founder of the experimental poetry magazine Wave Composition. Her work has appeared in The Millions, the Times Literary Supplement, the Los Angeles Review of Books, and Strange Horizons. She is an enthusiastic alumna of the Clarion West Writers Workshop and holds a D.Phil. in English from the University of Oxford. She lives in Nicosia, Cyprus.

Kristen Case is the author of the critical study American Pragmatism and Poetic Practice: Crosscurrents from Emerson to Susan Howe. Her first poetry collection, Little Arias, won the Maine Literary Award for Poetry in 2016, and her second collection, Principles of Economics, won the 2018 Gatewood Prize. She is co-editor of Thoreau at 200: Essays and Reassessments and director of Thoreau’s Kalendar: A Digital Archive of the Phenological Manuscripts of Henry David Thoreau. She teaches at the University of Maine at Farmington, where she is director of the New Commons Project, a public humanities initiative sponsored by the Mellon Foundation. She lives in Temple, Maine.