In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is vulnerability distributed in terms of margin and centre, normality and deviance? And how can vulnerability be used to move audiences towards each other and accomplish change? We address these questions in an interdisciplinary study that brings examples from celebrated and provocative fiction and documentary films, TV-series, reality TV, art installations, design, literature, graphic art, radio podcasts and campaigns on social media.
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In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states.
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1.     Mobilizing Vulnerability in Scandinavian Art and Culture.- Margareta Dancus, Mats Hyvönen & Maria Karlsson.- Part I: Gendered Bodies and Scandinavian Privilege.- 2.     Conditional Vulnerability in the Films of Ruben Östlund.- Asbjørn Grønstad.- 3.     The Mother, the Hero, and the Refugee: Gendered Framings of Vulnerability in Margreth Olin’s De andre (2012) and Leo Ajkic’s Flukt (2017).- Elisabeth Oxfeldt.- 4.     Shared, Shamed and Archived Images of Vulnerable Bodies: On the Nexus of Media, Feminism and Freedom of Speech in Scandinavia.- Bodil Marie Stavning Thomsen.- Part II: The Vulnerable Subject and the Welfare State.- 5.     Nowhere Home: The Waiting of Vulnerable Child Refugees.- Odin Lysaker.- 6.     Vulnerability When Fecundity Fails: Infertility and Assisted Reproductive Technologies in The Bridge.- Melissa Gjellstad.- 7.     Uses of Vulnerability: Two Eras of Social Commitment in Swedish TV-drama?.- Per Vesterlund.- Part III: Societies of Perfection and Resisting Normalcy.- 8.     Vulnerability and Disability in Contemporary Nordic Literature: Linn Ullmann’s Grace and Sofi Oksanen’s Baby Jane.- Jenny Bergenmar.- 9.     Life of a Fatso: Young, Fat and Vulnerable in Scandinavian Society of Perfection.- Elise Seip Tønnessen.- 10. Vulnerable Viewer Positions: Queer Feminist Activists Watching Paradise Hotel.- Fanny Ambjörnsson & Ingeborg Svensson.- Part IV: Mobilizing the Pain of Others.- 11. The Art of Begging.- Adriana Margareta Dancus.- 12. Partitioning Vulnerabilities: On the Paradoxes of Participatory Design in the City of Malmö.- Erling Björgvinsson & Mahmoud Keshavarz.- 13. Facing War: On Veterans,Wounds, and Vulnerability in Danish Public Discourse and Contemporary Art.- Ann-Katrine Schmidt Nielsen.- 14. The Politics of True Crime: Vulnerability and Documentaries on Murder in Swedish Public Service Radio’s P3 Documentary.- Mats Hyvönen, Maria Karlsson & Madeleine Eriksson.
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In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is vulnerability distributed in terms of margin and centre, normality and deviance? And how can vulnerability be used to move audiences towards each other and accomplish change? We address these questions in an interdisciplinary study that brings examples from celebrated and provocative fiction and documentary films, TV-series, reality TV, art installations, design, literature, graphic art, radio podcasts and campaigns on social media.   
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Provides the first broad interdisciplinary study of vulnerability in Scandinavian art, media and culture Places emphasis on vulnerability as a productive resource Pays specific attention to vulnerability in the welfare state
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Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.
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Produktdetaljer

ISBN
9783030373818
Publisert
2020-03-31
Utgiver
Vendor
Springer Nature Switzerland AG
Høyde
210 mm
Bredde
148 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Om bidragsyterne

Adriana Margareta Dancus is Associate Professor at the University of South-Eastern, Norway. Dancus researches at the crossroads of gender and ethnicity studies, with a focus on contemporary Scandinavian film and literature. She is the author of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women (2019).

 

Mats Hyvönen is a Media scholar at Uppsala University, Sweden, and coordinator for the Engaging Vulnerability Research Program. Hyvönen’s research interests are mainly in media history, especially the study of the public sphere as a vulnerable space and how the media both resist and facilitate that vulnerability. Recent publications include (as editor and contributor) Post-Truth, Fake News: Viral Modernity & Higher Education (Springer, 2018).

 

Maria Karlsson is a Literature scholar at Uppsala University, Sweden, and is on the Engaging Vulnerability Research Program’s advisory board. Shehas worked on women’s fin-de-siécle novels, audiences, and media dramaturgy. At present, she works on charity and readers; on provocative art in media and politics, and on Swedish radio documentaries.