Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices.
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Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance
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CHAPTER 1 Owning your voiceCHAPTER 2 Healing your voiceCHAPTER 3 Mastering your languageCHAPTER 4 Expanding your voiceCHAPTER 5 Refining your voiceCHAPTER 6 Expressing your textCHAPTER 7 Releasing your other voicesCHAPTER 8 Selecting your systemCHAPTER 9 Planning your voice future
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Produktdetaljer

ISBN
9781138918580
Publisert
2017-05-05
Utgave
3. utgave
Utgiver
Vendor
Routledge
Vekt
906 gr
Høyde
246 mm
Bredde
174 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
382

Om bidragsyterne

Robert Barton is professor emeritus of acting at the University of Oregon. He is the author of Style for Actors, Acting: Onstage and Off, Acting Reframes, co-author of: Movement: Onstage and Off with Barbara Sellers-Young, Theatre in Your Life and Life Themes (both with Annie McGregor), and A Voice for the Theatre with Harry Hill. He has been honored as Outstanding Acting Coach by the American College Theatre Festival and writes a column, "Many Right Ways," for The Voice and Speech Review.

Rocco Dal Vera is a Head of the Division for Acting, Arts Administration, Dance, Musical Theatre, Opera and Theatre Design & Production at the University of Cincinnati’s College-Conservatory of Music, specializing in theatre voice and speech with particular interest in voice and emotion. He is co-author of Acting in Musical Theatre, 2nd ed. (with Joe Deer, Routledge, 2016), a columnist for Dramatics Magazine and Teaching Theatre, and founding editor of The Voice and Speech Review.