Focussing on the period from 1930 to 1960, this fascinating publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art.

From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes – incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages, and then by constructed reliefs.

Seeking to explore these decades and later years, the book's visual narrative traces a path from the artist's earliest canvases through to his engagement in the 1960s with the controversial Apollo Pavilion in Peterlee, County Durham. This important publication will renew interest in an important period in British art history and shed new light on a crucial stage in Pasmore's long career.
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Focussing on 1930-60, this publication considers Pasmore's transition from figurative painter to abstract artist. Reproducing works from both public and private collections, this publication will stoke interest in an important period in British art history and shed new light on a crucial stage in Pasmore's career.

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Curator’s Note, Anne Goodchild; Foreword, Neil Walker; 1. The Early Years, Anne Goodchild; 2. Pasmore’s Constructed Abstract Art, 1948–66, Alastair Grieve; 3. The Environmental Work of Victor Pasmore: Playing against Architecture, Elena Crippa; Notes; Chronology; Select Exhibitions; Select Bibliography; Acknowledgements; Image Credits; Index
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Produktdetaljer

ISBN
9781848222083
Publisert
2016-10-06
Utgiver
Lund Humphries Publishers Ltd; Lund Humphries Publishers Ltd
Høyde
270 mm
Bredde
228 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
120

Forfatter

Om bidragsyterne

Anne Goodchild is a curator and writer and was formerly the Senior Curator with Sheffield Galleries and Museums Trust. Elena Crippa is Curator, Modern and Contemporary British Art, at Tate. Previously, she worked as part of the Tate Research project Art School Educated: Curriculum Development and Institutional Change in UK Art Schools, 1960-2010. Alastair Grieve is an art historian, previously at the University of East Anglia. He curated the Arts Council Touring Exhibition Victor Pasmore in 1980 and Anthony Hill's Retrospective Exhibition at the Hayward Gallery in 1983. He is the author of Constructed Abstract Art in England after the Second World War (2005) and The Sculpture of Robert Adams (1992).