Offers a fresh take on the modernist primitivism of the French painter Paul Gauguin, the nostalgic exoticism of the American John LaFarge, and the elite tourism of the American writer Henry Adams. This title explores how these artists, lured by romantic ideas about travel and exploration, wrestled with the elusiveness of paradise.

Acknowledgments Preface: Regarding Tahiti 1. Histories of an Island and an Idea: From Tahiti to New Cythera 2. Garden of Eden to Dying Paradise: The Foundational Myths of Tahiti 3. Polynesia in Paris: Paul Gauguin in Search of the Exotic at the Exposition Universelle of 1889 4. The Colonial Lens: Gauguin, Primitivism, and Photography 5. Henry Adams, Indolence, and Ethnic Tourism in Tahiti 6. John La Farge and the Sensuousness of Regret 7. Against Vanishing Notes Glossary of Tahitian Terms Selected Bibliography List of Illustrations Index

"Vanishing Paradise provides a rich overview of the Tahitian experience of three different creative talents... it captures the flavor of the time and place with new subtlety and breadth that gives the reader a much more balanced and convincing understanding of what Tahiti was really like in the last decades of the nineteenth century."—June Hargrove, author of The Statues of Paris: An Open-Air Pantheon

"A major contribution to modernism studies, this book focuses more on a place and the power of its myths in Euro-American consciousness than on the artistic personalities that intersect with it. The unlikely combination of figures—Paul Gauguin, Henry Adams, and John La Farge—is a brilliant aspect of the book. By bringing them together within months of each other in Tahiti, she reveals connections between Europe and America that put these figures into one world, at one time, helping us grasp these intersections as important and related. The result is an outstanding and persuasive treatment of the way myths frame experience."—Patricia Leighten, author of The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris

"Childs's thorough and sophisticated understanding of anthropological theory, combined with the richly documented accounts of Tahitian history and culture, make Vanishing Paradise essential reading for scholars of late nineteenth-century French and American art."—John House, Professor Emeritus, Courtauld Institute of Art