Urban Generation Chinese Cinema and Society at the Turn of the Twenty-First Century
Produktdetaljer
Om bidragsyterne
Zhang Zhen is Associate Professor of Cinema Studies at New York University. She is the author of An Amorous History of the Silver Screen: Shanghai Cinema, 1896–1937.
“An essential addition to contemporary Chinese film studies, this provocative collection of essays effectively describes the significant breaks that the most recent generations of filmmakers and media artists in the PRC have made both with the tradition of Chinese filmmaking and with the acclaimed, influential ‘Fifth Generation’ that preceded them.”—Richard Peña, Program Director, Film Society of Lincoln Center, and Professor of Film Studies, Columbia University
“Until the early 1990s, China struggled with modernity, with one step back for every step forward. But it produced a brilliant new cinema that attracted world attention, a national cinema skeptical of China’s ability to change. Since then, China has boomed, skyrocketed upward on the world scene like its new urban skyscrapers, traded in much of its ‘Chineseness’ for a leading role in an emerging global culture, and produced a new generation of independent, forward-looking ‘urban cinema.’ Including thirteen essays about film and film culture in today’s China, this is the first volume to bring the newest Chinese cinema to life. It deserves to be read and then re-read.”—Jerome Silbergeld, author of <i>China into Film</i> and <i>Hitchcock with a Chinese Face</i>
“<i>The Urban Generation</i> offers a fascinating account. . . . This anthology of original research is essential to readers who aspire to stay updated with Chinese films and Chinese society. Furthermore, in linking textual analysis conceptually and methodologically to the contextual and the intertextual, it should also be interesting to students of film and cultural studies in general.”
- Yiu Fai Chow and Jeroen de Kloet, China Information
“There is no more stimulating or comprehensive volume on PRC feature filmmaking at the turn of the 21st century.”
- Matthew David Johnson, The China Quarterly
“This book is a remarkable achievement deserving a place on the bookshelves of all serious researchers of Chinese film and indeed world cinema. Any student of modern chinese culture can learn much from this important work. . . . Zhang makes a major contribution to Chinese and world film studies and to our broader understanding of twentieth-century Chinese social and cultural history.”
- Paul Clarke, China Review International
“This is a magnificently presented work providing an extremely comprehensive and accessible overview of contemporary Chinese cinema. The briefly annotated filmography of the key Urban Generation directors (by Charles Leary) is a most helpful inclusion.”
- Peter C. Pugsley, Scope
“Zhang Zhen’s collected volume of essays on recent Chinese films is packed with copious information and penetrating observations and will be of benefit to any one of a number of different sorts of reader.”
- Christopher Lupke, China Review
Produktdetaljer
Om bidragsyterne
Zhang Zhen is Associate Professor of Cinema Studies at New York University. She is the author of An Amorous History of the Silver Screen: Shanghai Cinema, 1896–1937.