This smart reissue of Victor Corti’s 1970 translation is welcome, offering a new generation access to Artaud’s vision of theatre as total art form...even after all these years, it still sends shivers down the spine.

TLS

He has had an impact so profound that the course of all recent serious theatre in Western Europe and the Americas can be said to divide into two periods - before Artaud and after Artaud.

- Susan Sontag,

First published in 1938, The Theatre and Its Double is a collection of essays detailing Antonin Artaud’s radical theories on drama and theatre, which he saw as being stifled by conservatism and lack of experimentation. Containing the famous manifestos of the ‘Theatre of Cruelty’, the collection analyses the underlying impulses of performance, provides some suggestions on a physical-training method for actors and actresses, and features a long appreciation of the expressive values of Eastern dance drama.
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A collection of essays that details the author's radical theories on drama, which he saw as being stifled by conservatism and lack of experimentation. It contains the famous manifestos of the 'Theatre of Cruelty', analyses the underlying impulses of performance, and provides some suggestions on a physical training method for actors and actresses.
Les mer

Produktdetaljer

ISBN
9781847493323
Publisert
2013-02-13
Utgiver
Alma Books Ltd; Alma Classics
Vekt
180 gr
Høyde
198 mm
Bredde
128 mm
Dybde
22 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
160

Forfatter
Oversetter

Om bidragsyterne

Antonin Artaud (1896–1948) was a French playwright and poet. He was a leading figure in the Surrealist movement and, despite a divergence of ideas, remained a dedicated Surrealist all his life – devoting his time to the study of the problem of the conflict between man’s physical and intellectual natures.