What do we mean by entertainment? How does this concept relate to theatre? Should theatre be for pleasure or instruction? Can it not be both?

In this stimulating book, Jim Davis examines the relationship between theatre and entertainment by assessing audience reception, political theatre and melodrama. He explores definitions of entertainment, arguing that it can be found embedded in all forms of theatre, not just the 'popular'. Davis concludes with a review of contemporary perspectives on the topic and questions the limits of entertainment in theatrical performance.

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In this stimulating book, Jim Davis examines the relationship between theatre and entertainment by assessing audience reception, political theatre and melodrama. Davis concludes with a review of contemporary perspectives on the topic and questions the limits of entertainment in theatrical performance.

Les mer

Series preface
 1. Defining Entertainment
 2. Cultural Production
 3. Melodrama
 4. Music Theatre
 5. Theatre for Pleasure and Theatre for Instruction
 6. Politics, Efficacy and Entertainment
 7. Entertainment and Audiences
 8. The Limits of Entertainment
 9. Towards Utopian/Dystopian Notions of Entertainment
 10. Conclusion
 Further Reading
 Index.

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Part of the successful and innovative Theatre And series
Theatre And is a long series of short books which captures the restless interdisciplinary energy of theatre and performance. Each book explores connections between theatre and some aspect of the wider world, asking how the theatre might illuminate the world and how the world might illuminate theatre. Each book is written by a leading theatre scholar and represents the cutting edge of critical thinking in the discipline.
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Produktdetaljer

ISBN
9781137321060
Publisert
2016-07-15
Utgiver
Bloomsbury Publishing PLC; Methuen Drama
Vekt
80 gr
Høyde
176 mm
Bredde
108 mm
Dybde
8 mm
Aldersnivå
Lower undergraduate, U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
96

Forfatter

Om bidragsyterne

Jim Davis was Professor of Theatre Studies at the University of Warwick, UK. He authored numerous books and articles, among them Comic Acting and Portraiture in Late-Georgian and Regency England (2015) and Victorian Pantomime: A Collection of Critical Essays. He was also joint-author of Reflecting the Audience: London 1840-1880 (with Victor Emeljanow) which was awarded the 2001 Theatre Book Prize.