‘I can’t make my work without the collaboration of the community. Their willingness to allow their story to be told is an important part of what I see.’ Sabelo Mlangeni Many of the stories that Sabelo Mlangeni tells are of communities on the periphery of society. Taking time to build relationships, he gains trust and, eventually, access to inner circles and sacred spaces. Based in South Africa, he has focused on Johannesburg (Big City, 2002–15), as well as the rural areas surrounding his hometown of Driefontein (At Home, 2004–9), and the country towns that ‘freedom and opportunity have somehow skipped past’ (Ghost Town, 2009–11). People are at the heart of Mlangeni’s photography, often those who have been pushed to the so-called ‘margins’, or whose stories could have easily gone untold, such as the street-sweepers of Invisible Women (2006) and the hostel residents in Men Only (2008¬–9). In My Storie (2012) and No Problem (2013) he reveals the legacy of apartheid in the stark divisions that remain between racially segregated communities; and in Country Girls (2003–9) he explores gender roles in portraits ranging from the glamorous to the tender and intimate. Mlangeni’s work seeks to recentre themes of friendship, love and joy in the face of ever-present risk. Above all, his images tell stories of seeking out your people, choosing a family and building a home, wherever you find yourself. The Tate Photography Series is a celebration of international photography in the Tate collection and an introduction to some of the greatest photographers at work today. With the direct involvement of living photographers in collaboration with photography curators, these books showcase the best and most notable images taken across the globe, from city streets to seashores, moving across landscapes and through subcultures, in a visual travelogue of our world. Each book contains a new conversation between curator and photographer and is prefaced with a short introduction. The theme for the first four titles is Community and Solidarity. Also available in this series are: Sirkka-Liisa Konttinen (978-1-84976-800-9) Liz Johnson Artur (978-1-84976-801-6) Sheba Chhachhi (978-1-84976-803-0)
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The purpose of the new Tate Photography series is to establish a truly international representation of photography now, to broaden access to remarkable photographers, and to explore the medium’s unique ability to capture life and experience in the world today. With the direct involvement of living photographers in collaboration with photography curators, these books will showcase the best and most notable images taken across the globe, from city streets to seashores, moving across landscapes and through subcultures, in a visual travelogue of our world. From 2022, Tate will release four books each year, connected by a single theme. By showing varied and international approaches to a subject, the series seeks to create a deeper understanding of what photography can do while also enhancing our appreciation of the lives of others. The first year’s theme is community and solidarity. A Ghanaian-Russian photographer joins Black Lives Matter street protests in London, an artist-activist in New Delhi chronicles women’s emancipatory struggles, a South-African’s camera locates queer lives in rural townships, while a Finnish photographer captures the North-East of England as perhaps only an émigré with a discerning eye can. In all these environments, each imbued with unique struggles and dangers, a commonality of human character and strength inspired by community and solidarity is portrayed, permitting glimpses of joy and hope. Each book contains a new conversation between curator and photographer and is prefaced with a short introduction.
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Produktdetaljer
ISBN
9781849768023
Publisert
2022-05-05
Utgiver
Tate Publishing; Tate Publishing
Høyde
200 mm
Bredde
140 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
64
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