Torsion and tension are characteristic of the vessels created by the exceptional Japanese ceramicist Shozo Michikawa (b. 1953), whose works are reminiscent of rock strata and lava flows. Michikawa is known for his unique technique, for turning edgy, dynamic sculptures on the potter's wheel. First he cuts and scores a solid block of clay before he carves out the interior hollow through pressing and turning with a rod and his hands. Natural-looking surfaces emerge, just as geological forces formed the earth's surface - an irrepressible energy from the inside out. Michikawa's pots, with their irregular shape, granular texture, and rich earthen hues are so poetic in their appearance that they have been likened to 'haikus in clay'. With a selection of works from the last fifteen years, Shozo Michikawa introduces the first comprehensive insight into his ceramic production, which has attracted attention across the globe. The Museum für Kunst und Gewerbe Hamburg; LACMA Los Angeles County Museum of Art; Ashmolean Museum of Art and Archaeology, University of Oxford; National Museum of Wales, Cardiff; Philadelphia Museum of Art; Qinglingsi Temple, Xi'an and Shimada City Museum are among the institutions that have acquired his work. This book accompanies an exhibition, which will tour between venues: Lacoste Gallery, Concord, MA (US), 3 to 24.6.2017; Erskine, Hall & Coe, London (UK), 11.10. to 2.11.2017. The artist is active on facebook, at https://www.facebook.com/shozo.michikawa
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Features around 70 work by Japanese ceramic artist Shozo Michikawa, created between 2003 and 2017.

Produktdetaljer

ISBN
9783897905054
Publisert
2017-11-29
Utgiver
Arnoldsche; Arnoldsche
Høyde
270 mm
Bredde
220 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
96

Om bidragsyterne

Clare Pollard is curator of Japanese art at the Ashmolean Museum in Oxford (UK). Her main area of research is the decorative arts of the Meiji era, in particular the work of the potter Miyagawa Kozan. Nora von Achenbach works as an academic associate and curator for various exhibition projects on Chinese and Japanese arts. Since 2000 she has headed the East Asian and Islamic Department at the Museum für Kunst und Gewerbe Hamburg (DE).