'The book offers a deep dive based on exhaustive research that goes beyond simply documenting the history of Secret Cinema. Instead, it advances a critical framing contextualising the organisations development historically, culturally, and industrially through numerous case studies.'
Media Practice and Education
- .,
This book presents a comprehensive history and analysis of Secret Cinema – the leading producer of large-scale immersive experiences in the UK. It examines how the company has evolved over twelve years from an experimental and artisanal organisation to a global leader in the field. The book focuses on the UK in late-2019, a point at which the immersive sector had grown significantly through its increasing contribution to GDP and its widespread recognition as a legitimate cultural offering. It captures an organisation and a sector transitioning from marginal and subcultural roots to a commodifiable and commercial form, now with recognisable professional roles and practices, which has contributed to the establishment of an immersive experience industry of national importance and global reach.
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A comprehensive history and analysis of Secret Cinema – the leading producer of large-scale immersive experiences in the UK. The book examines how they have evolved their format over twelve years from experimental and artisanal beginnings to becoming a global leader in large scale immersive entertainment.
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1 Secret Cinema and the immersive experience industry2 Secret Cinema as sandbox3 Secret Cinema as format 4 Secret Cinema as immersive activism 5 Secret Cinema as industry 6 Secret Cinema as experience community7 Secret Cinema, 2020–21: pivoting, pipelines and poachingIndex
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This book presents a unique case study of Secret Cinema – the leading provider of large-scale immersive experiences in the UK. It uses Secret Cinema as a lens through which to view the wider experiential economy. The book offers a comprehensive history of the organisation, from its early, small-scale events in the mid-2000s to blockbuster productions such as 2019’s Stranger Things experience. It defines and examines the Secret Cinema format, critically interrogates the work and operations of Secret Cinema as an organisation and analyses the many layers of audience experience. Drawing on in-depth interviews with Secret Cinema practitioners and other sector professionals, the book captures an organisation transitioning from subcultural roots to a commercial form, one that has contributed to the establishment of an immersive experience industry of national importance and global reach. Written in an accessible style, with rich case study materials and illustrative examples, Secret Cinema and the immersive experience industry will appeal to scholars, students and film fans, as well as immersive experience professionals and their audiences.
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Produktdetaljer
ISBN
9781526182371
Publisert
2024-08-20
Utgiver
Vendor
Manchester University Press
Vekt
411 gr
Høyde
234 mm
Bredde
156 mm
Dybde
16 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
280
Om bidragsyterne
Sarah Atkinson is Professor of Screen Media at King’s College London
Helen W. Kennedy is Professor of Creative and Cultural Industries at the University of Nottingham