Om bidragsyterne

Jonathan Murray is Lecturer in Film and Visual Culture at Edinburgh College of Art. He is the author of That Thinking Feeling: A Research Guide to Scottish Cinema, 1938 - 2004 (Edinburgh College of Art/Scottish Screen, 2005), Discomfort and Joy: the Cinema of Bill Forsyth (Peter Lang, forthcoming), The New Scottish Cinema (I. B. Tauris, forthcoming) and the co-editor of Constructing The Wicker Man: Film and Cultural Studies Perspectives (University of Glasgow Crichton Publications, 2005) and The Quest for The Wicker Man: History, folklore and Pagan perspectives (Luath Press, 2006). Fidelma Farley has held posts in the Film Studies Departments at University College Dublin, the University of Aberdeen and the National University of Ireland, Galway. She has written about Irish cinema, with a particular focus on gender and post-colonialism, including This Other Eden (Cork University Press, 2001), Anne Devlin (Flicks Books, 2000) and, most recently, articles on Irish and Scottish cinema, and Irish-language cinema.Rod Stoneman is the Director of the Huston School of Film and Digital Media at the National University of Ireland, Galway. He was Chief Executive of Bord Scannán na hÉireann/the Irish Film Board until September 2003 and previously a Deputy Commissioning Editor in the Independent Film and Video Department at Channel 4 Television. He has made a number of documentaries including Ireland: The Silent Voices (1983), Italy: the Image Business (1984) and 12,000 Years of Blindness (2007) and written extensively on film and television. His most recent book, Chávez: The Revolution Will Not Be Televised, was published by Wallflower Press in 2008.