Illustrations Contributors Acknowledgements Foreword – Arnold Aronson Introducing ‘Expanded’ Scenography - Joslin McKinney and Scott Palmer Section 1: TECHNOLOGICAL SPACE 1 Devices of Wonder: globalizing technologies in the process of scenography - Christopher Baugh (University of Leeds, UK) 2 Screen Space: Bearing Witness & Performing Resistance - Dorita Hannah (University of Tasmania, Australia) Section 2: ARCHITECTURAL SPACE 3 Between Symbolic Representation and New Critical Realism: Architecture as Scenography and Scenography as Architecture - Thea Brejzek (University of Technology, Sydney, Australia) 4 City as Site: Street Performance and Site Permeability during the Festival Internacional Teatro a Mil, Chile, 2012-2015 - Marcela Oteiza (Wesleyan University, CT, USA) Section 3: AGENCY 5 Scenography Matters: Performing Romani Identities: Strategy and Critique - Jane Collins (University of the Arts, London, UK) and Ethel Brooks (Rutgers University, NJ, USA) 6 Scenographic Agency: A Showing-doing and a Responsibility for Showing-doing - Kathleen Irwin (University of Regina, Canada) 7 Thinking that Matters: Towards a Post-Anthropocentric Approach to Performance Design - Maaike Bleeker (Utrecht University, Netherlands) Section 4: AUDIENCES 8 Audience Immersion, Mindfulness and the Experience of Scenography - David Shearing (University of Leeds, UK) 9 Cognitive Approaches to Performance Design, or How the Dead Materialize and Other Spectacular Design Solutions - Stephen Di Benedetto (University of Miami, FL, USA) Section 5: MATERIALITY 10 The Matter of Water: Bodily Experience of Scenography in Contemporary Spectacle - Nebojša Tabacki (University of the Arts, Berlin, Germany) 11 Ecologies of Autism: Vibrant Space in Imagining Autism - Melissa Trimingham (University of Kent, UK) Bibliography Index

An introduction to the dynamic field of performance design in and beyond the theatre, with analysis and case studies contributed by world experts in the discipline from the UK, USA, Chile, Canada, Australia, New Zealand, Germany and the Netherlands.

The series reflects the recent growth of scenographic practices and the expansion from theatre/stage design to a wider notion of scenography as a spatial practice. It incorporates performance design practices in theatre, performance, live art, architecture, visual communication and interactive design. Each volume offers an accessible overview of design both for and as performance, and combines theoretical frames with a set of stimulating examples of scenography that showcase the interdisciplinary reach of contemporary performance design. The series will be of interest to students and scholars in theatre and performance, as well as art, architecture, design and visual communication.