<p>'A fascinating read for any Blow enthusiast.'</p>

Cornwall Today

<p>'Bird's lavishly illustrated retrospective text, the first devoted to Blow, finally gives the artist and her large-scale, vividly hued, obdurately abstract work their due... Highly recommended.'</p>

CHOICE

Sandra Blow (1925-2006) is among the most important British artists of the later 20th century. During a time of rapid change in the art world, her commitment to abstract painting resulted in a large and diverse body of work of distinctive power and subtlety.

Michael Bird's fascinating survey of Sandra Blow's life and art, which draws on many conversations with the artist in her lifetime, provides a definitive overview of her career. Its republication in Blow's centenary year comes at a time of unparalleled interest in women's artists' lives and work, and a new sense of excitement around abstract art.

In this highly readable monograph, Michael Bird looks in depth at Blow's evolving studio practice and the personal nature of her abstract vision. He sets her achievement firmly within the wider context of British and international art of the post-war period and late twentieth century, casting new light on the role played in her life by Alberto Burri and Roger Hilton, two influences she acknowledged to be crucial to her art. The book is illustrated throughout with a fully representative selection of Blow's work.

Through close attention to Blow's working methods, this book provides a unique insight into her creative process. It reveals the intensity of emotional engagement and technical experimentation that lie behind the apparent spontaneity of her vivid handling of materials, colour and form.

Les mer
Sandra Blow is one of the most important British artists of the last 50 years, committed to abstract painting and with a large and diverse body of work. Yet, despite this, little has previously been published about her. This is the first full-length study of Blow's life and art.
Les mer

Contents: Preface; Acknowledgements; Introduction: What comes into it; Who is she? 1925–1946; New territories 1947–1950; Getting noticed 1950–1957; Something of that great simplicity 1957–1960; A personal kind of movement 1960–1969; The architecture of surfaces 1970–1979; The biggest splash 1980–1994; This time the sea 1994–2004; Coda: November 2004; Notes; Exhibitions; Collections; Chronology

Les mer

’Sandra Blow’s paintings vibrate with energy and she rigorously and relentlessly pushed postwar abstraction to new heights. She deserves far greater recognition and this is the book to propel her there: insightful, revelatory, poetic and packed with images of "startling rightness".’ – Charlotte Mullins, Art Critic, Writer and Broadcaster

Les mer

Produktdetaljer

ISBN
9781848220898
Publisert
2011-10-28
Utgiver
Lund Humphries Publishers Ltd; Lund Humphries Publishers Ltd
Høyde
270 mm
Bredde
228 mm
Dybde
16 mm
Aldersnivå
G, U, P, 01, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
172

Forfatter

Om bidragsyterne

Michael Bird is an independent art historian and curator, and author of more than a dozen books, including The St Ives Artists: A Biography of Place and Time (2008, with a new edition published in 2016/2023), Matt Rugg: The Many Languages of Sculpture (2023), George Fullard: Sculpture and Survival (2017) and Studio Voices: Art and Life in 20th-Century Britain (2018) (all published by Lund Humphries). In 2016 he was National Life Stories Goodison Fellow and in 2018-21 Royal Literary Fund Fellow at the University of Exeter. In 2022 he co-curated Living the Landscape: Barbara Hepworth, Ben Nicholson and the Artists of St Ives at the Museum Belvédère, Heerenveen.