Rigorously researched, utilizing both archival sources and Magritte’s own extensive writing, Allmer weaves these with thoughtful, engaging theory, and her work is sure to be essential reading for scholars of Magritte and Surrealism.

- .,

René Magritte: Beyond painting offers a rethinking of Magritte’s art from a position informed by contemporary developments in art theory.The book employs a wide range of literary and philosophical/cultural theoretical frameworks to analyse Magritte’s art. It offers close readings of specific images, paying attention to neglected aspects of Magritte’s work, discussing the significance of cabinets of curiosities and encyclopaedias, trompe l’oeil, framing and forgeries. It addresses a range of intertextual relations between Magritte’s work and that of other Surrealist artists and the art-historical tradition. This book explores how Magritte’s art challenges conventional notions of originality, canonicity and coherence, revealing his work as being shaped by co-operations and co-options. It demonstrates that uncertainty, incoherence and negation lie at the core of Magritte’s oeuvre.
Les mer
Offers an engagement with a rethinking of Magritte's art from a position informed by contemporary developments in art theory. This title analyses Magritte's art through employing a range of literary and philosophical/cultural theoretical frameworks. It explores how Magritte's art challenges conventional notions of originality and canonicity.
Les mer
List of platesList of figuresAcknowledgements1. Retheorising Magritte2. Cabinets of curiosities3. Forging the past and the present4. Elective affinities – Between words and images5. Dialogues entirely painted by hand6. Framing the real7. Artistic identity reproduced8. Coda - After Magritte List of abbreviationsBibliographyIndex
Les mer
René Magritte: Beyond painting offers a rethinking of Magritte’s art from a position informed by contemporary developments in art theory.The book employs a wide range of literary and philosophical/cultural theoretical frameworks to analyse Magritte’s art. It offers close readings of specific images, paying attention to neglected aspects of Magritte’s work, discussing the significance of cabinets of curiosities and encyclopaedias, trompe l’oeil, framing and forgeries. It addresses a range of intertextual relations between Magritte’s work and that of other Surrealist artists and the art-historical tradition. This book explores how Magritte’s art challenges conventional notions of originality, canonicity and coherence, revealing his work as being shaped by co-operations and co-options. It demonstrates that uncertainty, incoherence and negation lie at the core of Magritte’s oeuvre.
Les mer

Produktdetaljer

ISBN
9780719079283
Publisert
2009-11-23
Utgiver
Vendor
Manchester University Press
Høyde
234 mm
Bredde
156 mm
Dybde
21 mm
Aldersnivå
G, UF, 01, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet

Forfatter

Om bidragsyterne

Patricia Allmer is Professor of Modern and Contemporary Art History at the University of Edinburgh