âAnd although he does a solicitous and richly nuanced job of situating these works in the ever-shifting cultural dynamics of their production and reception, <i>Reframing Bodies</i> does much more than provide a descriptive and historicist re-appraisal of these video/film texts (although in this enterprise it is both detailed and insightful). Beyond the particularity of Hallasâ interest in AIDS, homosexuality and representation, <i>Reframing Bodies</i> will also be essential reading for scholars and students of both memory/trauma studies and film/media studies more generally.â
- Dion Kagan, Screening the Past
âAnd although he does a solicitous and richly nuanced job of situating these works in the ever-shifting cultural dynamics of their production and reception, <i>Reframing Bodies</i> does much more than provide a descriptive and historicist re-appraisal of these video/film texts (although in this enterprise it is both detailed and insightful). Beyond the particularity of Hallasâ interest in AIDS, homosexuality and representation, <i>Reframing Bodies</i> will also be essential reading for scholars and students of both memory/trauma studies and film/media studies more generally.â - Dion Kagan, <i>Screening the Past</i>
âHallas looks at reframings of film and video conventions like autobiography, home movies, song, museum installations, and news reports. . . . It is wonderful to see attention given to this important archive. One wishes these were all on DVD and that Hallas could offer commentary as one viewed them! In his thoroughness, Hallas collects a wide range of voices in a kind of fraternity, but one based in a n embrace of complexity and difference and never denying the multifaceted trauma of AIDS. Taken together, they say something different than what each could say alone.â
- Chael Needle, A&U Magazine
âHallas looks at reframings of film and video conventions like autobiography, home movies, song, museum installations, and news reports. . . . It is wonderful to see attention given to this important archive. One wishes these were all on DVD and that Hallas could offer commentary as one viewed them! In his thoroughness, Hallas collects a wide range of voices in a kind of fraternity, but one based in a n embrace of complexity and difference and never denying the multifaceted trauma of AIDS. Taken together, they say something different than what each could say alone.â - Chael Needle, <i>Art & Understanding</i>
âThis book presents an original and intriguing re-evaluation of queer film and videos made between the mid-1980âs and the early 2000âs in response to the AIDS epidemic. . . . <i>Reframing Bodies</i> expands our understanding of the political importance of visual media to the act of witnessing and the ongoing efforts of AIDS activism.â - James Polchin,<i> Gay and Lesbian Review/ Worldwide</i>
âThis book presents an original and intriguing re-evaluation of queer film and videos made between the mid-1980âs and the early 2000âs in response to the AIDS epidemic. . . . <i>Reframing Bodies</i> expands our understanding of the political importance of visual media to the act of witnessing and the ongoing efforts of AIDS activism.â
- James Polchin, Gay & Lesbian Review
âThis excruciating, tender and evocative book not only produces a timeline of politicized queer corporeal action but peels back the intrinsic value between intersubjectivity and representation. <i>Reframing Bodies</i> explores the boundaries of visuality and visibility through an archive of AIDS activism and queer social history that leaves no rock unturned.â
- Stephanie Rogerson, Fuse Magazine
âWith <i>Reframing bodies</i>, Roger Hallas has written a complex yet accessible book that manages to recapture the sense of urgency animating earlier queer AIDS media. But it is not nostalgic. It is also a moving work that reminds us that the AIDS crisis is far from over and that our duties to those afflicted have not abated.â - David Caron,<i> Culture, Health & Sexuality</i>
âThis is an important, informative, persuasive and timely book. . . . <i>Reframing Bodies</i> is a significant testament and testimony, itself bearing witness to a criminally unrecorded and underexamined time in our lives.â - Monica B. Pearl,<i> Screen</i>
âThis is an important, informative, persuasive and timely book. . . . <i>Reframing Bodies</i> is a significant testament and testimony, itself bearing witness to a criminally unrecorded and underexamined time in our lives.â
- Monica B. Pearl, Screen
âThis excruciating, tender and evocative book not only produces a timeline of politicized queer corporeal action but peels back the intrinsic value between intersubjectivity and representation. <i>Reframing Bodies</i> explores the boundaries of visuality and visibility through an archive of AIDS activism and queer social history that leaves no rock unturned.â - Stephanie Rogerson, <i>Fuse Magazine</i>
âWith <i>Reframing bodies</i>, Roger Hallas has written a complex yet accessible book that manages to recapture the sense of urgency animating earlier queer AIDS media. But it is not nostalgic. It is also a moving work that reminds us that the AIDS crisis is far from over and that our duties to those afflicted have not abated.â
- David Caron, Culture, Health & Sexuality
âRoger Hallas ensures that HIV/AIDS activist media receives its critical due by showing not only its historical importance but also its formal complexity. Through his passionate engagement, keen sensitivity to shifting contexts of reception, and sophisticated account of the testimonial function of the moving image, he keeps this body of activist media, and its political and memorial legacies, alive for the future. ââ<b>Ann Cvetkovich</b>, author of <i>An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures</i>
âRoger Hallas is perhaps todayâs leading expert on AIDS and the âqueer moving image,â and with <i>Reframing Bodies</i> he takes AIDS cultural studies in a variety of new, compelling directions. He makes important contributions about the practices and politics of homosexualityâs cultural visibility, the representational strategies mobilized around AIDS as a historical trauma experienced by gay men, and the ways that queer moving images allow us to rethink spectatorship, bearing witness, and trauma.ââ<b>Alexandra Juhasz</b>, author of <i>AIDS TV: Identity, Community, and Alternative Video</i>
âIn this incisive and well-written volume, Hallas argues that âreframingâ is fundamental to the success of AIDS films and videos in bearing witness to tragedy and trauma while putting forward or holding open alternative imaginings of social existence.â
- Steven Epstein, GLQ
Produktdetaljer
Om bidragsyterne
Roger Hallas is an assistant professor of English at Syracuse University. He is the coeditor of The Image and the Witness: Trauma, Memory and Visual Culture.