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Loïc Bourdeau is a scholar of French Studies and the Medical Humanities in the School of Modern Languages, Literatures and Cultures at Maynooth University, formerly Louisiana Board of Regents Associate Professor of Francophone Studies at UL Lafayette. He has published extensively on contemporary cultural productions by marginalised voices in France and Québec. In addition to several chapters and articles, he has edited or co-edited four volumes, including Horrible Mothers. Representations across Francophone North America (2019), ReFocus: The Films of François Ozon (2021), and Revisiting HIV/AIDS in French Culture: Raw Matters (2022). He has edited special issues of the Australian Journal of French Studies (2020), Nouvelles Études Francophones (2022), and a special issue of Nottingham French Studies on ‘The Twenty-first Century Social Novel in French’ (2024).From experimentations with genre and intertextuality to new visions of queerness and relationships, ReFocus: The Films of François Ozon captures the unique spirit of one of France’s most idiosyncratic directors. Loïc Bourdeau’s edited volume is intellectual yet creative, cohesive yet wide-ranging, inventive yet steeped in a rich cultural tradition. Much like François Ozon’s cinema itself.
Gemma King, The Australian National University
By now a familiar fixture in contemporary French cinema, the prolific auteur François Ozon seems to have grown in stature over the last decade. Loïc Bourdeau has assembled an exciting and eclectic collection of original essays that combines a welcome return to the perverse queerness of the filmmaker’s early work with a full examination of the later more ‘mature’ Ozon including a timely focus on the sexual politics of abuse. This is an impressively wide-ranging collection that will no doubt contribute to a fuller critical understanding of one of 21st century cinema’s important directors.
Nick Rees-Roberts, Sorbonne Nouvelle University