A thoughtful, personal survey of Assayas's career by American critics edited by Jones and an English translation of Assayas's 2002 memoir <i>A Post-May Adolescence: Letter to Alice Debord</i>, both published in handsome volumes by the Austrian Film Museum, expose this tension in Assayas's work: between a desire for risk and a sensitive intelligence resistant to easy solutions; between allegiance to cinema 'degree zero,' a cinema of presence, and a romantic fascination with the passage of time...The slim memoir, packaged with two additional essays by Assayas on Debord, is a valuable companion to the Jones collection, which is often in explicit dialogue with Assayas's analysis of his own work.
- Film Comment,
Assayas' voice is clear, urgent, and persuasive. For him the matter at hand, the subject that keeps slipping away, is the story of how he came to know the work of Guy Debord. This is nothing less that the story of his life.
- Film Quarterly,