'No other study looks so extensively at the embodiment of gendered emotion positioned between Chekhov as playwright and Stanislavsky as director. In the process, Tait pays new respect to Knipper's artistic work. Moreover, feminists tend to reject the Stanislavsky System in favor of Brecht's theatrical approach, and Peta Tait challenges this overly simplified view in her unique study about the performance of gendered emotion. While post-modernist scholarship often uses theatrical metaphors to describe "the performative", Tait infuses her valuable analysis with the complexities of actual theatrical performance. In the process, she raises essential questions about the differential performance of emotion by women and men.' Sharon Marie Carnicke, Professor of Theatre & Slavic Studies and Associate Dean of Theatre, University of Southern California '... this study provides a unique angle from which to view the plays of one of the most significant modern dramatists and his first two important interperters.' Journal of Comparative Drama