“Leggott’s book is an accessible and fascinating read that will be of interest to a general readership with ties to the North East region as well as those studying regional popular TV. For some it will be a pleasurable trip down memory lane. Its importance, however, lies in its reimagining of long forgotten popular texts … that has been successfully pieced together here for the very first time.” (Ben Lamb, Critical Studies in Television, Vol. 17 (4), 2022)

This book analyses the representation of North-East England in film and television. It is a response to the way a number of important British films and programmes—for example, Get Carter (1971), Whatever Happened to the Likely Lads (1973-74), Our Friends in the North (1996) and Billy Elliot (2000)—have used this particular setting to explore questions of class, identity and history. It argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television. The book discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialisation.
Les mer
This book analyses the representation of North-East England in film and television. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television.
Les mer
Chapter 1. Introduction.- Chapter 2. Early Representations of the North East.- Chapter 3. Native Voices: North-East Drama Writers on Television in the 1970s.- Chapter 4. The Workshop movement in the 1980s: Alternative Visions of the North East.- Chapter 5. Comedy, Television and the North East.- Chapter 6. Histories of the North East.- Chapter 7. Crime Film and Television.- Chapter 8. The North East in the Twenty-First Century: New Realities.
Les mer
“James Leggott's timely book reminds us of the rich seam of film and television set in the North East of England, whilst also pointing to the unfair way it has often been overlooked by scholars. In lucid, accessible prose he unpicks the myths and stereotypes that have sometimes characterised these depictions and steers us towards the richer, complex stories that have been produced by those who know the region first-hand. This is a meticulously researched volume that balances breadth of coverage with detailed analysis of key case studies, providing telling insights throughout.”-- Professor Robert Shail, Leeds Beckett UniversityThis book analyses the representation of North-East England in film and television. It is a response to the way a number of important British films and programmes—for example, Get Carter (1971), Whatever Happened to the Likely Lads (1973-74), Our Friends in the North (1996) and Billy Elliot (2000)—have used this particular setting to explore questions of class, identity and history. It argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television. The book discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialisation.James Leggott is Associate Professor in Film and Television Studies at Northumbria University, UK. He is the author of books on contemporary British cinema, and the films of the Amber Collective. He has published on various aspects of British film and television including period drama, comedy and documentary.
Les mer
“James Leggott's timely book reminds us of the rich seam of film and television set in the North East of England, whilst also pointing to the unfair way it has often been overlooked by scholars. In lucid, accessible prose he unpicks the myths and stereotypes that have sometimes characterised these depictions and steers us towards the richer, complex stories that have been produced by those who know the region first-hand. This is a meticulously researched volume that balances breadth of coverage with detailed analysis of key case studies, providing telling insights throughout.”-- Professor Robert Shail, Leeds Beckett University
Les mer
Analyzes the representation of North-East England in film and television Argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation Discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialization
Les mer
GPSR Compliance The European Union's (EU) General Product Safety Regulation (GPSR) is a set of rules that requires consumer products to be safe and our obligations to ensure this. If you have any concerns about our products you can contact us on ProductSafety@springernature.com. In case Publisher is established outside the EU, the EU authorized representative is: Springer Nature Customer Service Center GmbH Europaplatz 3 69115 Heidelberg, Germany ProductSafety@springernature.com
Les mer

Produktdetaljer

ISBN
9783030691455
Publisert
2021-06-29
Utgiver
Vendor
Springer Nature Switzerland AG
Høyde
210 mm
Bredde
148 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Forfatter

Om bidragsyterne

James Leggott is Associate Professor in Film and Television Studies at Northumbria University, UK. He is the author of books on contemporary British cinema, and the films of the Amber Collective. He has published on various aspects of British film and television including period drama, comedy and documentary.