List of figures
Introduction
1 The past that haunts the present: the rise of Nordic Gothic - Yvonne Leffler & Johan Höglund
2 Two Nordic Gothic icons: Hans Christian Andersen and Selma Lagerlöf - Maria Holmgren Troy & Sofia Wijkmark
3 Swedish Gothic and the demise of the welfare state - Sofia Wijkmark
4 Nordic Gothic crime: places and spaces in Johan Theorin's Öland quartet series - Yvonne Leffler
5 ‘The Chosen Ones’: Sara B. Elfgren and Mats Strandberg's teenage witch trilogy - Maria Holmgren Troy
6 Nordic troll Gothic - Sofia Wijkmark
7 Indigenous hauntings: Nordic Gothic and colonialism - Johan Höglund
8 Lost (and gained) in translation: Nordic Gothic and transcultural adaptation - Maria Holmgren Troy
9 Nordic Gothic new media - Johan Höglund
Appendix: Nordic Gothic fiction
Bibliography
Index

Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV series, and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives.

Nordic Gothic creates an understanding of a ubiquitous but hitherto under-researched cultural phenomenon by showing how the Gothic narratives make visible cultural anxieties haunting the Nordic countries and their welfare systems, and how central these anxieties are for the understanding of identities and ideologies in the Nordic region. It examines how figures from Nordic folklore and mythology function as metaphorical expressions of Gothic themes, and also how universal Gothic figures such as vampires and witches are used in the Nordic context. The Nordic settings, and especially the Nordic wilderness, are explored from perspectives such as ecocriticism and postcolonialism and subcategories such as Gothic crime, Gothic humour, troll Gothic and geriatric Gothic are defined and discussed. Furthermore, the phenomenon of transcultural adaptation is investigated, using the cases of Lars von Trier’s Riget and John Ajvide Lindqvist’s Låt den rätte komma in, two seminal works of contemporary Nordic Gothic.

The book will be of interest to researchers and post- and undergraduate students of Gothic in fields such as Cultural Studies, Comparative Literature, Film Studies and Scandinavian Studies.