New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 69 include: Cue for Passion: on the Dynamics of Shakespearean Acting; In Search of the Lost Mode: Improvisation and All That Jazz; Still In Yer Face? Towards a Critique and a Summation; The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler; The RSC Goes Walkabout: The Dillen in Stratford, 1983; After Grotowski – the Next Generation; The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H.
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Cue for Passion: on the Dynamics of Shakespearean Acting Charles Marowitz; In Search of the Lost Mode: Improvisation and All That Jazz Clive Barker; Still In Yer Face? Towards a Critique and a Summation Aleks Sierz; The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler Erik Østerud; The RSC Goes Walkabout: The Dillen in Stratford, 1983 Catherine Prentice and Helena Leongamornlert; After Grotowski – the Next Generation Paul Allain; The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H. Nick White.
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Provides an international forum where theatrical scholarship and practice can meet.

Produktdetaljer

ISBN
9780521013147
Publisert
2002-12-12
Utgiver
Cambridge University Press; Cambridge University Press
Vekt
217 gr
Høyde
248 mm
Bredde
175 mm
Dybde
7 mm
Aldersnivå
P, U, 06, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
96