Focuses on the aural elements which combine with moving images. The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Key Features Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. Provides a new platform for discourse on how aural elements combine with moving images.
Les mer
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors.
Symphonies of Noise: The Urban Soundscape in Rouben Momoulian’s Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight Dominic Power Music as an element of narration in poetic documentariesKerstin Stutterheim Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée’s film Wild Alison Walker Shepard tones and production of meaning in recent films: Lucrecia Martel's Zama and Christopher Nolan's DunkirkEleonora Rapan From ‘Screenwriting for Sound’ to Film Sound Maps: The Evolution of Live Tone’s Creative Alliance with Bong Joon-ho Nikki J. Y. Lee and Julian Stringer Some Notes on the use of Voice-OverRoger Crittenden Approaches to Sound Design: Murch and BurttGustavo Costantini Presentation to the School of SoundPeter Sellars
Les mer
Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.

Produktdetaljer

ISBN
9781474439374
Publisert
2018-09-04
Utgiver
Edinburgh University Press; Edinburgh University Press
Høyde
244 mm
Bredde
172 mm
Aldersnivå
UF, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
104

Om bidragsyterne

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.