In the same period, new audiences for art discovered their fascination for the life and work of the artist. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure.

1. Introduction.- 2. “At Home”: Visiting the Artist’s Studio in the Nineteenth-Century French Illustrated Press - Rachel Esner.- 3. Success Stories and Martyrologies: Images of Artists in Elsevier’s Geïllustreerde Maandschrift - Liekse Tibbe.- 4. “Les épisodes de la vie d’un artiste intéressent beaucoup.” The Power of the Media and How To Use It: An Exploration of Ensor’s Self-Mediatization - Herwig Todts.- 5. Artists’ Confessions to Tériade in L’Intransigeant, 1928-29: The Construction of a Public Image - Poppy Sfakianaki.- 6. Life’s Pioneer Painters: Dorothy Seiberling and American Art in Life Magazine, 1949−1968 - Melissa Renn.- 7. Creative Process and Magic: Artists on Screen in the 1940s - Pierre Saurisse.- 8. COBRA. Canvas, and Camera: Luc de Heusch Filming Alechinsky and Dotremont at Work - Steven Jacobs.- 9. In Bed with Marina Abramovic: Mediatizing Women’s Art as Personal Drama - Marcel Bleuler.- 10. Derek Jarman’s Caravaggio and the Aesthetic Regime of Art - Marco de Waard.- 11. Interviewing the Artist: Richter versus Bacon - Sandra Kisters.- 12. The Myth of the Artist in Children’s Illustrated Literature - Laura Bravo.- 13. A Physiology of the Inglorious Artist in Early Nineteenth-Century Paris - Kathryn Desplanque.- 14. Mythologies of the Artist in Modern India: The Many Lives of Raja Ravi Varma - Niharika Dinkar.- 15. Mediated Art History in Biopics: The Interplay of Myths and Media in Pollock - Doris Berger.- 16. The Glory of the Artist - Alain Bonnet.

“Esner and Kisters do an excellent job of presenting different artists battling different issues throughout their media careers. A lot like detectives, they piece together all the clues from history to show what happened, and why many of these major events led to the next mediation of the artist. Readers might find themselves asking similar questions throughout each case. … Overall, anyone’s objections to life and media might change after reading this book.” (Courtney Patterson, CBQ Communication Booknotes Quarterly, Vol. 51 (1-2), January-June, 2019)

The first book to examine in depth the visual media presence of the artist from the nineteenth century to the contemporary period Offers perspectives on a wide range of media from the illustrated press to photography, film to popular media and new media Relevant to academics and students of art history, media studies, film studies, journalism, history of the press, and sociology