She’s wonderful - she’s just kind of destroying my life. Maggie (Greta Gerwig) is a young single woman in Brooklyn who is determined to have a baby on her own through a surrogate. However, she meets John (Ethan Hawke), an attractive, older university professor, caught in an unhappy marriage, and they start a relationship. Maggie’s rejuvenating enthusiasm lures John away from his wife, the domineering Danish critical theorist Georgette Norgaard (Julianne Moore). The film moves forward three years and the couple have married and settled down with a daughter together. Everything has gone according to Maggie’s plan, so why isn’t she happy? And what sort of meddlesome scheme will she concoct next? Maggie's Plan, based on an unpublished novel by Karen Rinaldi, is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work. The film was premiered at the New York Film Festival in October 2015 and received its official US release in May 2016.
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Maggie’s Plan is not nostalgic. It doffs a manic pixie dream girl’s hat to the past, but it’s bang up to date in asking whether heterosexual relationships will survive among the young, should they become superfluous to species continuation . . . Maggie’s Plan is a film highly invested in the dynamics of marriage . . . Miller’s plan, then, isn’t just to send you home on a high. It’s to make you address fundamental preconceptions about yourself. At heart, her film is a cautionary fable about the fallacy of trying to cheat fate
Les mer
Maggie's Plan is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work.
Les mer
This is the first publication of this screenplay by Rebecca Miller and is published alongside her own introduction about the writing and making of the film
The Modern Plays series is world famous for containing the work of many of the finest contemporary playwrights. Established in 1959 with the publication of Shelagh Delaney's A Taste of Honey, it remains a series synonymous with the very best in new writing for the stage. Today it features over 1000 plays and continues to grow alongside the staging of new work.
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Produktdetaljer

ISBN
9781350005822
Publisert
2016-06-16
Utgiver
Vendor
Methuen Drama
Vekt
160 gr
Høyde
198 mm
Bredde
129 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
144

Forfatter

Om bidragsyterne

Rebecca Miller is the author of the short story collection Personal Velocity, her feature film adaptation of which won the Grand Jury Prize at Sundance; The Private Lives of Pippa Lee, which she also adapted for the screen, and Jacob’s Folly. Her other films include Angela and The Ballad of Jack and Rose.