The unfading popularity of Gustav Klimt (1862–1918) attests not only to the particular appeal of his luxuriant painting but also to the universal themes with which he worked: love, feminine beauty, aging, and death. The son of a goldsmith, Klimt created surfaces of ornate and jewel-like luminosity which show the influence of both Egyptian and Japanese art. Through paintings, murals, and friezes, his work is defined by radiant color, fluid lines, floral elements, and mosaic-like patterning. With subjects ranging from sensuality and desire to anxiety and despair, all this iridescence is also suffused with feeling. Klimt’s numerous images of women, characterized by curvaceous forms, tender flesh, red lips, and flushed cheeks, were particularly charged with passion, at a time when such frank eroticism was still taboo in Viennese upper-middle-class society. This book presents a selection of Klimt’s work, introducing his pictorial world of decoration and desire, as well as his influence on artists to come.
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Discover the shimmering and sensual oeuvre of Gustav Klimt, the Austrian symbolist painter who polarized the art world by combining decorative finesse with erotic thrill. From landscape paintings to glistening renderings of the female body, the founding member of the Vienna Secession continues to fascinate with his works of mosaic-like patterns, curvaceous forms, and radiant color.
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Produktdetaljer

ISBN
9783836558051
Publisert
2015-07-15
Utgiver
Vendor
Taschen Gmbh
Vekt
589 gr
Høyde
260 mm
Bredde
210 mm
Aldersnivå
G, 01
Språk
Product language
Spansk
Format
Product format
Innbundet

Forfatter

Om bidragsyterne

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.