[...] Schmid’s book provides a new angle of inquiry for analyzing New Wave films, and the strength of the book lies in its analysis of a large and diverse body of cinematic works as well as a review of existing scholarship. [It] offers a clear and comprehensive analysis of the ways in which New Wave directors built their revolutionary cinema through engagement with other revolutionary artists in media ranging from theater to architecture.

- Dayna Oscherwitz, Southern Methodist University, H-France Review Vol. 21, No. 16

Schmid’s impressive grasp of the aesthetic history and theory of these different arts lends a persuasive authority to this account. The wide-ranging case studies and the overall argument will be familiar to seasoned scholars of the New Wave, but the book will be highly valuable to students and teachers grappling with these films, and this period, for the first time.

- Douglas Morrey, University of Warwick, Modern & Contemporary France

Schmid’s work is important not only because it offers a fresh approach to the study of New Wave films through an intermedial framework, but it also significantly adds to the debate of medium specificity in cinema. [...] Another aspect worth noting is that Schmid’s intermedial analysis expands itself into multiple media, and Intermedial Dialogues is a significant work for anyone who is not only interested in the history of the French New Wave, but also to those who are invested in exploring cinema’s relationship with the other arts.

- Philip VG Bijoy, Jawaharlal Nehru University, Studies in European Cinema, 2020