Intellect Handbook of Documentary

Nash, Kate, Prof. Williams Deane
Innbundet / 2025 / Engelsk

Produktdetaljer

ISBN
9781835950685
Publisert
2025
Utgiver
Vendor
Intellect Books
Høyde
244 mm
Bredde
170 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
532

Redaktør
Nash, Kate, Prof.
Williams Deane

Om bidragsyterne

Kate Nash is Professor of Media and Communication at the University of Newcastle, Australia. She has published widely in the areas of documentary ethics, interactive documentary and on the relationship between documentary and politics. Her books include New Documentary Ecologies (2014 with Craig Hight and Catherine Summerhayes) and Interactive Documentary: Theory and Debate (2020). She is Co-Editor (with Craig Hight) of Studies in Documentary Film.

Deane Williams is Associate Professor of Film and Screen Studies at Monash University, Melbourne. From 2007-2017 he was editor of the journal Studies in Documentary Film, and his books include Australian Post-War Documentary Film: An Arc of Mirrors (2008), Michael Winterbottom (with Brian McFarlane, 2009), the three-volume Australian Film Theory and Criticism (co-edited with Noel King and Constantine Verevis, 2013–2017), The Cinema of Sean Penn: In and Out of Place (2016) and (with Julia Vassilieva) editor of Beyond the Essay Film: Subjectivity, Textuality and Technology (2021).

Intellect Handbook of Documentary

Nash, Kate, Prof. Williams Deane
Innbundet / 2025 / Engelsk
Nash, Kate, Prof. Williams Deane
Innbundet / 2025 / Engelsk
Nettpris:
2.142,-
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The Handbook of Documentary is an important go-to resource for practitioners, scholars and students in this burgeoning field. It tackles key topics and debates – from the role of documentary in post-truth culture to the rise of streaming giants (and the implications for national documentary cultures) and the shifting (increasingly hybrid) practices of documentary activism and the professionalization of impact. Featuring work by key figures in international documentary scholarship and talented emerging scholars, the Handbook is a landmark publication for documentary studies in the twenty-first century. The Handbook is broad in its scope, incorporating historical, theoretical, empirical, and practical scholarship. It is organized around ten key themes/debates: What and where is documentary (studies)?; Documentary in an Age of epistemic uncertainty; Documentary histories; Documentary and the Archive; Audio/Visualities; Documentary Relationalities; Beyond the Anthropocene?; Digital/documentary practices; Documentary and (new) politics?; A golden age? Documentary distribution and funding. Importantly, the Handbook challenges the dominance of Western voices in documentary scholarship, incorporating the voices and practices of practitioners from the Global South.
Les mer
Featuring work by key figures in international documentary scholarship and talented emerging scholars, the Handbook is a landmark publication for documentary studies in the 21st century. It tackles key topics and debates and the shifting practices of documentary activism and the professionalization of impact.  24 b&w illus.
Les mer
  Introduction Kate Nash and Deane Williams Where and what is documentary (studies) in an age of epistemic crisis? Saying more about documentary? John CornerNext Steps: Post-Truth, (Post-Trump?) and Post-Digital is Poetry, Alexandra JuhaszThe Documentary Disposition, Michael Renov Documentary in the Anthropocene  ‘We are all Dead and we are all going to die’: The Apocalypse Documentary, Alisa LebowCinema of qi: a Daoist approach to ecological, sensory and affective cinema through vital energy, Kiki Tianqi YuThe Possible Worlds of VR documentary, Mandy RoseDocumentary Realism in the Anthropocene, Selmin Kara Audio/Visualities: Polyphony, complexity and representation Reflection, staging and documentary film: The monadic camera-subject, Fernão Pessoa RamosDocumentary says ‘We’: Lyrical Polyphony as PracticeFlee and the animated documentary, Bella Honess Roe Re-viewing the ethics and politics of representation  Polyphonic narration and epistemological confusion in Shirley Clarke’s The Connection, Jaimie BaronTowards a history of the International Association of Documentary Filmmakers: The Congress of Algiers 1968 and dialogue with the Third World, Mariano MestmanSouvenir and Heritage: Whose memory is this? Catherine RussellWang Bing’s documentary po/ethics of the Maoist chaos and the paradigm of Western Testimony: Unwitnessing, Victims, Collaborators, Followers, Cadres and Dissidents, Raya MoragSouth Somewhere Else: Decolonising the documentary, cross-cultural collaborative filmmaking in the Global South, Deane Williams and Antonio Traverso Documentary and politics The case of Nuclear Documentary, Helen HughesRadical Civic Media: Equipe Media and global documentary ecologies of impact, Ryan Watson Documentary Storytelling for Social Change in the Participatory Media Age: Understanding Nonfiction’s Social Impact and Future Challenges, Caty BorumEntertainment with a Purpose: Netflix and Documentary today, Annie GoldsonDocumentary-on-demand: Researching audience engagements with (political) documentary on Netflix, Kate Nash and Craig HightFrom Testimony to the Cinema of Action in the Video nas Aldeias Project, Gilberto Alexandre Sobrinho Production, Distribution, Audiences: The changing documentary ‘industry’ Utility for the Utilitarian: Documentary’s uses for other kinds of non-fiction film, Grace RussellDocumentary Funding in the Age of the Streamers, Inge Sørensen and Nick HigginsAudience Engagement: Streaming factuality in the Nordic region, Annette Hill Digital documentary practices Compilationism and Digital Media: From Documentaries to Audio-Visual Essays, Chiara GrizzaffiAugmented Reality Documentary, Dale Hudson, Claudia Costa Pederson and Patty ZimmermanTilting at Windmills, Brian Winston
Les mer

Relaterte produkter

The Handbook of Documentary is an important go-to resource for practitioners, scholars and students in this burgeoning field. It tackles key topics and debates – from the role of documentary in post-truth culture to the rise of streaming giants (and the implications for national documentary cultures) and the shifting (increasingly hybrid) practices of documentary activism and the professionalization of impact. Featuring work by key figures in international documentary scholarship and talented emerging scholars, the Handbook is a landmark publication for documentary studies in the twenty-first century. The Handbook is broad in its scope, incorporating historical, theoretical, empirical, and practical scholarship. It is organized around ten key themes/debates: What and where is documentary (studies)?; Documentary in an Age of epistemic uncertainty; Documentary histories; Documentary and the Archive; Audio/Visualities; Documentary Relationalities; Beyond the Anthropocene?; Digital/documentary practices; Documentary and (new) politics?; A golden age? Documentary distribution and funding. Importantly, the Handbook challenges the dominance of Western voices in documentary scholarship, incorporating the voices and practices of practitioners from the Global South.
Les mer
Featuring work by key figures in international documentary scholarship and talented emerging scholars, the Handbook is a landmark publication for documentary studies in the 21st century. It tackles key topics and debates and the shifting practices of documentary activism and the professionalization of impact.  24 b&w illus.
Les mer
  Introduction Kate Nash and Deane Williams Where and what is documentary (studies) in an age of epistemic crisis? Saying more about documentary? John CornerNext Steps: Post-Truth, (Post-Trump?) and Post-Digital is Poetry, Alexandra JuhaszThe Documentary Disposition, Michael Renov Documentary in the Anthropocene  ‘We are all Dead and we are all going to die’: The Apocalypse Documentary, Alisa LebowCinema of qi: a Daoist approach to ecological, sensory and affective cinema through vital energy, Kiki Tianqi YuThe Possible Worlds of VR documentary, Mandy RoseDocumentary Realism in the Anthropocene, Selmin Kara Audio/Visualities: Polyphony, complexity and representation Reflection, staging and documentary film: The monadic camera-subject, Fernão Pessoa RamosDocumentary says ‘We’: Lyrical Polyphony as PracticeFlee and the animated documentary, Bella Honess Roe Re-viewing the ethics and politics of representation  Polyphonic narration and epistemological confusion in Shirley Clarke’s The Connection, Jaimie BaronTowards a history of the International Association of Documentary Filmmakers: The Congress of Algiers 1968 and dialogue with the Third World, Mariano MestmanSouvenir and Heritage: Whose memory is this? Catherine RussellWang Bing’s documentary po/ethics of the Maoist chaos and the paradigm of Western Testimony: Unwitnessing, Victims, Collaborators, Followers, Cadres and Dissidents, Raya MoragSouth Somewhere Else: Decolonising the documentary, cross-cultural collaborative filmmaking in the Global South, Deane Williams and Antonio Traverso Documentary and politics The case of Nuclear Documentary, Helen HughesRadical Civic Media: Equipe Media and global documentary ecologies of impact, Ryan Watson Documentary Storytelling for Social Change in the Participatory Media Age: Understanding Nonfiction’s Social Impact and Future Challenges, Caty BorumEntertainment with a Purpose: Netflix and Documentary today, Annie GoldsonDocumentary-on-demand: Researching audience engagements with (political) documentary on Netflix, Kate Nash and Craig HightFrom Testimony to the Cinema of Action in the Video nas Aldeias Project, Gilberto Alexandre Sobrinho Production, Distribution, Audiences: The changing documentary ‘industry’ Utility for the Utilitarian: Documentary’s uses for other kinds of non-fiction film, Grace RussellDocumentary Funding in the Age of the Streamers, Inge Sørensen and Nick HigginsAudience Engagement: Streaming factuality in the Nordic region, Annette Hill Digital documentary practices Compilationism and Digital Media: From Documentaries to Audio-Visual Essays, Chiara GrizzaffiAugmented Reality Documentary, Dale Hudson, Claudia Costa Pederson and Patty ZimmermanTilting at Windmills, Brian Winston
Les mer

Produktdetaljer

ISBN
9781835950685
Publisert
2025
Utgiver
Vendor
Intellect Books
Høyde
244 mm
Bredde
170 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
532

Redaktør
Nash, Kate, Prof.
Williams Deane

Om bidragsyterne

Kate Nash is Professor of Media and Communication at the University of Newcastle, Australia. She has published widely in the areas of documentary ethics, interactive documentary and on the relationship between documentary and politics. Her books include New Documentary Ecologies (2014 with Craig Hight and Catherine Summerhayes) and Interactive Documentary: Theory and Debate (2020). She is Co-Editor (with Craig Hight) of Studies in Documentary Film.

Deane Williams is Associate Professor of Film and Screen Studies at Monash University, Melbourne. From 2007-2017 he was editor of the journal Studies in Documentary Film, and his books include Australian Post-War Documentary Film: An Arc of Mirrors (2008), Michael Winterbottom (with Brian McFarlane, 2009), the three-volume Australian Film Theory and Criticism (co-edited with Noel King and Constantine Verevis, 2013–2017), The Cinema of Sean Penn: In and Out of Place (2016) and (with Julia Vassilieva) editor of Beyond the Essay Film: Subjectivity, Textuality and Technology (2021).

Relaterte produkter