Guillaume de Machaut, a pioneer of a new school of lyric compositions, is the most important poet and composer of late medieval France. This volume provides a freshly prepared edition based on the most reliable manuscript of two of Machaut’s best known dits, the Remede de Fortune (Remedy for Fortune) and the Confort d’ami (Consolation from a Friend), both of which adapt the central ideas of Boethian philosophy to the love poetry tradition.  Less well known than the Remede, the Confort d’Ami is an important political document and exemplifies one of the most significant of medieval literary forms, the regiment principum. The work is addressed to Machaut’s imprisoned patron, Charles of Navarre, who attempted to seize the throne of France upon his release. The music of the intercalated lyrics in the Remede is here included in situ in performance-accessible form, as are the manuscript illuminations in grisaille. Detailed commentaries on Machaut, these poetical works, the accompanying music, and the art program of the base manuscript are also included.
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A new edition of two of Machaut’s best known dits, the Remede de Fortune (Remedy for Fortune) and the Confort d’ami (Consolation from a Friend), with detailed commentaries on Machaut, these poetical works, the accompanying music, and the art program of the base manuscript.
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Introduction Art History Commentary by Domenico Leo Introduction to Music by Uri Smilansky The Boethian Poems 1. Le Remede de Fortune 2. Le Confort d'Ami Explanatory Notes Textual Notes Notes to the Music by Uri Smilansky
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Produktdetaljer

ISBN
9781580443753
Publisert
2019-04-26
Utgiver
Vendor
Medieval Institute Publications
Høyde
260 mm
Bredde
210 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Edited and translated by
Redaktør
Commentaries by

Om bidragsyterne

R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University, and the editor/translator of many Middle French texts, including works by Machaut. Dr. Uri Smilansky studied at the University of Exeter and at the Schola Cantorum Basiliensis, and is director and founder of Ensemble Le Basile.