Produktdetaljer
Om bidragsyterne
Luisa Passerini is professor of cultural history and cofounder of the Interdepartmental Centre for Women's Studies at the University of Turin.
Jo Labanyi is professor in the Department of Spanish and Portuguese and director of the King Juan Carlos I of Spain Center at New York University.
Karen Diehl earned a PhD from the European University Institute in Florence and now works in film.
<p><em>'Rewarding and invigorating'</em> – Necsus, Fiona Handyside</p>
This book explores the relationship between love and Europeanness in a range of films from the 1920s to the present and looks at how love is portrayed in cinema across Europe and the United States. Essays from top film scholars demonstrate the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.
Chapter 1: Cinema and Academia: Of Objects of Love and Objects of Study– Thomas Elsaesser Chapter 2: For Love or Money: Transnational Developments in European Cinema in the 1920s – Andrew Higson Chapter 3: Love beyond the Nation: Cosmopolitanism and Transational Desire in Cinema – Tim Bergfelder Part Two: Impossible Loves
Chapter 4: Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929) – Laura Mulvey Chapter 5: La dame de Malacca or Eurocentrism’s dream of omnipotence – Luisa Passerini Chapter 6: Love and colonial ambivalence in Spanish Africanist cinema of the early Franco dictatorship – Jo Labanyi Part Three: Movements in Time-Space
Chapter 7: The love-lives of others: reconstructing German national identity in postwar and post-unification cinema – Seán Allan Chapter 8: Exiled memories: transnational memoryscapes in recent French cinema – Liliana Ellena Chapter 9: Migration, attachment, belonging: filming the Mediterranean in Spain and Italy – Enrica Capussotti Part Four: Cultural Reinscriptions
Chapter 10: Luis Buñuel and explosive love in southern Europe – Luisa Accati Chapter 11: Love and belonging in Western – Lucy Mazdon Chapter 12: A conflicted passion: European film – Karen Diehl
Produktdetaljer
Om bidragsyterne
Luisa Passerini is professor of cultural history and cofounder of the Interdepartmental Centre for Women's Studies at the University of Turin.
Jo Labanyi is professor in the Department of Spanish and Portuguese and director of the King Juan Carlos I of Spain Center at New York University.
Karen Diehl earned a PhD from the European University Institute in Florence and now works in film.