Over 50 years after his first appearance on the theatre scene, Edward Bond remains a hugely significant figure in the history of modern British playwriting. His plays are the subject of much debate and frequent misinterpretation, with his extensive use of allegory and metaphor to comment on the state of society and humanity in general leading to many academics, theatre practitioners and students trying - and often failing - to make sense of his plays over the years. In this unique collection, David Tuaillon puts these pressing questions and mysteries to Edward Bond himself, provoking answers to some of his most elusive dramatic material, and covering an extraordinary range of plays and subjects with real clarity. With a particular focus on Bond's later plays, about which much less has been written, this book draws together very many questions and issues within a thematic structure, while observing chronology within that. Edward Bond: The Playwright Speaks is potentially the most comprehensive, precise and clear account of the playwright's work and time in the theatre to date, distilling years and schools of thought into one single volume. Published to mark the 50th anniversary of the first performance of Edward Bond's Saved at the Royal Court Theatre in 1965.
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Chapter 1: The one thing Shakespeare never does is despair Chapter 2: What is terrible about evil is not that it is banal but that it is domesticated Chapter 3: Language is an octopus with a million legs Chapter 4: In all these gaps there is the possibility of freedom Chapter 5: Truth can be very ugly Chapter 6: Objects are people Chapter 7: The Kitchen Table and the Edge of the Universe Chapter 8: Reality doesn't become practical until it tells you its meaning Chapter 9: Nobody knows how to deal with innocence Epilogue: The stage is us
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Tuaillon has compiled a remarkable collection that includes some of the greatest writing on theatre practice I’ve ever read … This new collection is seminal … It will prove a vital resource for anyone working in contemporary theatre.
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A remarkable series of interviews with playwright Edward Bond, conducted by David Tuaillon, which get to the heart of the playwright's work, demystifying his plays and processes.
Edward Bond is one of the the most important playwrights of the twentieth century, having paved the way for later in-yer-face playwrights and having played a key part in the abolition of theatre censorship in the UK.
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Methuen Drama’s Theatre Makers Series celebrates and draws together the work of many of the most seminal theatre makers. Titles within the series comprise of diaries, letters, essays, and first-hand accounts by, as well as interviews with, the most influential theatre practitioners throughout history, past and present. Together, they provide an unprecedented insight into the philosophies and methods of the practitioners that have shaped – and continue to define – what theatre is today.
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Produktdetaljer

ISBN
9781472570062
Publisert
2015-10-22
Utgiver
Vendor
Methuen Drama
Vekt
304 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
P, U, 06, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
216

Volume editor
Contributions by
Forfatter

Om bidragsyterne

Edward Bond is widely regarded as the UK's greatest and most influentlial playwright. His plays include The Pope's Wedding (Royal Court Theatre, 1962), Saved (Royal Court, 1965), Early Morning (Royal Court, 1968), Lear (Royal Court, 1971), The Sea (Royal Court, 1973), The Fool (Royal Court, 1975), The Woman (National Theatre, 1978), Restoration (Royal Court, 1981) and The War Plays (RSC at the Barbican Pit, 1985). David Tuaillion is a teacher/researcher, with a PhD in entertainment, specialising in performance and contemporary dramaturgy.