Could be read with profit and pleasure by any theatregoer.

Steven Poole, The Guardian

A good basic introduction for first year students to problems of reading plays as performance texts, i.e. reading theatrically.

Professor R. A. Cave, Royal Holloway

This book is a compact guide to reading plays, and to the art and techniques of drama. Ranging from classical Greece to modern Drama and performance, but with particular emphasis on the playwrights (including Shakespeare) who are most widely taught and performed, the Handbook covers the whole range of literary, aesthetic, and political questions attending drama, from theatre designs and acting styles to audience composition and editing printed texts. Looking closely at both text and performance, successive sections give clear and detailed information about the conventions of playtexts, the histories of genre, performance spaces, and theatre personnel, as well as current theatre practices. Each chapter also provides an appropriate technical and critical vocabulary, conveniently gathered in a full, indexed glossary. A final section, dealing with drama essays and exams, includes sample student essays, and the bibliography includes targeted further reading as well as extensive guides to playwrights in print and plays on film. Lucid, practical, and thorough, this book is an invaluable resource for anyone who reads plays.
Les mer
A compact, wide-ranging, and accessible guide to reading plays, The Drama Handbook stresses the importance of understanding performance conventions and production processes through history, and offers clearly defined and presented critical vocabularies.
Les mer
I. PERFORMANCE, NOTATION, TEXT; II. READING STRUCTURES; III. DEFINING ARCHITECTURES; IV. PERSONNEL IN PROCESS; V. THEATRE TODAY; VI. EXAM CONDITIONS; GLOSSARY; INDEX OF PERSONS; INDEX OF PLAYS; BIBLIOGRAPHY AND FURTHER READING
Les mer
Could be read with profit and pleasure by any theatregoer. Steven Poole, The Guardian 09/03/02 `....students will doubtless benefit from the immense amount of information provided and ambitious scope of the book.' Theatre Research International, Vol 27.
Les mer
Introduces the technical and critical vocabulary to inform students' play reading and criticism Introduces major playwrights and dramatic genres An ideal revision text - includes a section on exam technique, and sample student essays Emphasises drama in performance
Les mer
John Lennard teaches at the Universities of Cambridge and Notre Dame, and for the British American Drama Academy in London. He is the author of 'But I Digress' (1991), the best-selling 'The Poetry Handbook' (1996), and an on-line guide, 'Reading Contemporary Poetry' (2001). Mary Luckhurst is Lecturer in Modern Drama at the University of York. She is an award-winning playwright, and has worked as a director. She has edited 'The Creative Writing Handbook', 'On Directing' (2001), and 'On Acting' (forthcoming 2002) for Faber and Faber.
Les mer
Introduces the technical and critical vocabulary to inform students' play reading and criticism Introduces major playwrights and dramatic genres An ideal revision text - includes a section on exam technique, and sample student essays Emphasises drama in performance
Les mer

Produktdetaljer

ISBN
9780198700708
Publisert
2002
Utgiver
Oxford University Press; Oxford University Press
Vekt
543 gr
Høyde
215 mm
Bredde
138 mm
Dybde
23 mm
Aldersnivå
UA, U, 14, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
430

Om bidragsyterne

John Lennard teaches at the Universities of Cambridge and Notre Dame, and for the British American Drama Academy in London. He is the author of 'But I Digress' (1991), the best-selling 'The Poetry Handbook' (1996), and an on-line guide, 'Reading Contemporary Poetry' (2001). Mary Luckhurst is Lecturer in Modern Drama at the University of York. She is an award-winning playwright, and has worked as a director. She has edited 'The Creative Writing Handbook', 'On Directing' (2001), and 'On Acting' (forthcoming 2002) for Faber and Faber.