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Divine Horror Essays on the Cinematic Battle Between the Sacred and the Diabolical

Miller Cynthia J. Van Riper A. Bowdoin
Heftet / 2017 / Engelsk

Produktdetaljer

ISBN
9781476669922
Publisert
2017-06-07
Utgiver
Vendor
McFarland & Co Inc
Vekt
449 gr
Høyde
254 mm
Bredde
178 mm
Dybde
13 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Redaktør
Miller Cynthia J.
Van Riper A. Bowdoin

Om bidragsyterne

Cynthia J. Miller, a cultural anthropologist focusing on popular culture and visual media, teaches in the Marlboro Institute for Liberal Arts at Emerson College in Boston. She is the editor or coeditor of twenty scholarly volumes, many exploring the horror genre. A. Bowdoin Van Riper is an historian specializing in depictions of science and technology in popular culture. He is the reference librarian at the Martha’s Vineyard Museum, and is the author or editor of a wide range of volumes, ranging from science to science fiction to horror.

Divine Horror Essays on the Cinematic Battle Between the Sacred and the Diabolical

Miller Cynthia J. Van Riper A. Bowdoin
Heftet / 2017 / Engelsk
Miller Cynthia J. Van Riper A. Bowdoin
Heftet / 2017 / Engelsk
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From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground--but all of these may be turned from their original purpose.

This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001).

Les mer
From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role.
Les mer
Table of Contents

Acknowledgments
Introduction
Part I. The Past, Bleeding into the Present
“What went we out into this wilderness to find”: Supernatural Contest in Robert Eggers’s The Witch: A ­New-England Folktale (2015)
(Thomas Prasch)
Emily Rose Died for Your Sins: Paranormal Piety, Medieval Theology
and Ambiguous Cinematic Soteriology (Kevin J. Wetmore, Jr.)
“Is this my reward for defending God’s church?” Monstrous Crimes
and Monstrous Punishments in Witchfinder General (1968),
The Devils (1971) and The Name of the Rose (1986) (James J. Ward)
Reckoning the Number of the Beast: Premillennial Dispensationalism,
The Omen and 1970s America (Brad L. Duren)
The Fall of a Domestic Angel: Horror and Hierophany in Rosemary’s Baby (1968) (Sue Matheson)
“I have seen things that would make the angels weep. And they do weep”: The Devil and Scotland’s Religious Horrors in Let Us Prey
(Eleanor Beal)
Part II. The Boundaries of Good and Evil
God’s Bloody Hand: The Horrible Ambiguity of Religious Murder
in Bill Paxton’s Frailty (Mark Henderson)
No Religion or Too Many: Problematizing God Told Me To (Fernando Gabriel Pagnoni Berns)
Demons to Some, Angels to Others: Eldritch Horrors and Hellbound
Religion in the Hellraiser Films (Lu´cio ­Reis-Filho)
Redeeming the ­Demon-Child and the ­Eco-Horror Fairy Tale: Ambivalent Theosis and Ambiguous Eucatastrophe in Guillermo del Toro’s Hellboy Films (Daniel Otto Jack Petersen)
Binary Opposition, Subversion and Liminality in Francis Lawrence’s Constantine (Catherine Becker)
Monsters of God: Negotiating the Sacred in Stake Land (Rhonda R. Dass)
Part III. Horrors of Knowledge and Faith
“They’re not in charge here”: The Collision of Religion and Science in [Rec] and Quarantine (Bart Bishop)
Prince of Darkness: The Metaphysics and Quantum Physics of Evil (Matthew A. Killmeier)
The Folly of Faithlessness in Dracula Has Risen from the Grave (Martin F. Norden)
Unquenchable Thirst: Morality, Theology and Vampires in ­Chan-wook Park’s Horror Romance (Michael C. Reiff)
Of Heresy and Horror: Stigmata (Cynthia J. Miller)
The Power of Film Compels You! Transgressing Taboos and the War on Demonic Possession in The Exorcist (Steve Webley)
About the Contributors
Index
Les mer

Relaterte produkter

From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground--but all of these may be turned from their original purpose.

This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001).

Les mer
From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role.
Les mer
Table of Contents

Acknowledgments
Introduction
Part I. The Past, Bleeding into the Present
“What went we out into this wilderness to find”: Supernatural Contest in Robert Eggers’s The Witch: A ­New-England Folktale (2015)
(Thomas Prasch)
Emily Rose Died for Your Sins: Paranormal Piety, Medieval Theology
and Ambiguous Cinematic Soteriology (Kevin J. Wetmore, Jr.)
“Is this my reward for defending God’s church?” Monstrous Crimes
and Monstrous Punishments in Witchfinder General (1968),
The Devils (1971) and The Name of the Rose (1986) (James J. Ward)
Reckoning the Number of the Beast: Premillennial Dispensationalism,
The Omen and 1970s America (Brad L. Duren)
The Fall of a Domestic Angel: Horror and Hierophany in Rosemary’s Baby (1968) (Sue Matheson)
“I have seen things that would make the angels weep. And they do weep”: The Devil and Scotland’s Religious Horrors in Let Us Prey
(Eleanor Beal)
Part II. The Boundaries of Good and Evil
God’s Bloody Hand: The Horrible Ambiguity of Religious Murder
in Bill Paxton’s Frailty (Mark Henderson)
No Religion or Too Many: Problematizing God Told Me To (Fernando Gabriel Pagnoni Berns)
Demons to Some, Angels to Others: Eldritch Horrors and Hellbound
Religion in the Hellraiser Films (Lu´cio ­Reis-Filho)
Redeeming the ­Demon-Child and the ­Eco-Horror Fairy Tale: Ambivalent Theosis and Ambiguous Eucatastrophe in Guillermo del Toro’s Hellboy Films (Daniel Otto Jack Petersen)
Binary Opposition, Subversion and Liminality in Francis Lawrence’s Constantine (Catherine Becker)
Monsters of God: Negotiating the Sacred in Stake Land (Rhonda R. Dass)
Part III. Horrors of Knowledge and Faith
“They’re not in charge here”: The Collision of Religion and Science in [Rec] and Quarantine (Bart Bishop)
Prince of Darkness: The Metaphysics and Quantum Physics of Evil (Matthew A. Killmeier)
The Folly of Faithlessness in Dracula Has Risen from the Grave (Martin F. Norden)
Unquenchable Thirst: Morality, Theology and Vampires in ­Chan-wook Park’s Horror Romance (Michael C. Reiff)
Of Heresy and Horror: Stigmata (Cynthia J. Miller)
The Power of Film Compels You! Transgressing Taboos and the War on Demonic Possession in The Exorcist (Steve Webley)
About the Contributors
Index
Les mer

Produktdetaljer

ISBN
9781476669922
Publisert
2017-06-07
Utgiver
Vendor
McFarland & Co Inc
Vekt
449 gr
Høyde
254 mm
Bredde
178 mm
Dybde
13 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Redaktør
Miller Cynthia J.
Van Riper A. Bowdoin

Om bidragsyterne

Cynthia J. Miller, a cultural anthropologist focusing on popular culture and visual media, teaches in the Marlboro Institute for Liberal Arts at Emerson College in Boston. She is the editor or coeditor of twenty scholarly volumes, many exploring the horror genre. A. Bowdoin Van Riper is an historian specializing in depictions of science and technology in popular culture. He is the reference librarian at the Martha’s Vineyard Museum, and is the author or editor of a wide range of volumes, ranging from science to science fiction to horror.

Relaterte produkter