Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, "Pursuits of Happiness". With "Contesting Tears", Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: "Letter from an Unknown Woman", "Gaslight", "Now Voyager", and "Stella Dallas".
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Stanley Cavell explores a genre, which he calls "the melodrama of the unknown woman," through close readings of four melodramas he finds definitive of the genre: "Letter from an Unknown Woman", "Gaslight", "Now Voyager", and "Stella Dallas".
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A Note on the Captions Preface Introduction 1: Naughty Orators: Negation of Voices in Gaslight 2: Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman 3: Ugly Duckling, Funny Butterfly: Bette Davis and Now, Voyager 4: Postscript: To Whom It May Concern 5: Stella's Taste: Reading Stella Dallas Notes Bibliography Filmography Index
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Produktdetaljer

ISBN
9780226098142
Publisert
1997-02-15
Utgiver
The University of Chicago Press; University of Chicago Press
Vekt
510 gr
Høyde
23 mm
Bredde
16 mm
Dybde
2 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
272

Forfatter