A detailed, well researched history of what has happened in the industry in the last half century.

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This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced.

1965–1979, covers the period often accepted as the ‘golden age’ of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of ‘alternative’ performance venues.

Leading academics provide case studies of six of the most important companies, including:

* CAST, by Bill McDonnell (University of Sheffield, UK)
* The People Show, by Grant Tyler Peterson (Brunel University London, UK)
* Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK)
* Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK)
* Welfare State International, by Gillian Whitely (Loughborough University, UK)
* 7:84 Theatre Companies, by David Pattie (University of Chester, UK).

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1. Historical and Cultural Background
2. British Theatre Companies of the Period
3. 7.84, by David Pattie (University of Chester)
4. Welfare State International, by Gillian Whitely (Loughborough University)
5. CAST, by Bill McDonnell (University of Sheffield)
6. Portable Theatre Company, by Chris Megson (Royal Holloway, University of London)
7. The People Show, by Grant Tyler Peterson (Brunel University London, UK)
8. The Pip Simmons Theatre Group, by Kate Dorney (University of Manchester, UK)
Endnotes
Bibliography
Index
Notes on Contributors

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1965–1979 in this three-volume survey covers the period often accepted as the ‘golden age’ of British Fringe companies, looking in detail at the birth of companies concerned with touring their work to an ever-expanding circuit of ‘alternative’ performance venues.
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Draws on fresh research with a clear analysis of the performance styles and offering a fresh appraisal of the work of key companies
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies.
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Produktdetaljer

ISBN
9781408175446
Publisert
2016-12-15
Utgiver
Vendor
Methuen Drama
Vekt
572 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
336

Forfatter
Series edited by

Om bidragsyterne

John Bull is the Professor of Drama at the University of Lincoln, UK. His many publications include Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre (1994). Recently, he was Associate Editor for Modern Drama on the New Oxford Companion to English Literature, and editor of the three volume series, British and Irish Playwrights Since World War II.