A new edition to our BFI TV Classics series, this analysis of BBC's Bleak House aims to analyze this critically acclaimed production in terms of its adaptation status, narrative organization, acting, setting and mise-en-scene, while also using it to comment on more general issues in television studies.

Acknowledgments.- Introduction: Dickens and Television.- The Classic Serial.- Serialisation and Soaps.- 
The Problem with Esther.- Narrative Organisation and the Double Story.- Characterisation and Performance.- Settings.-  'Illustrating' Bleak House.- Conclusion: Classic Television.- Notes.- Appendix: The Beginning and Ending of Each Episode.- Bibliography.- Credits.- Index.

Bleak House is one of Charles Dickens's darker works: a vision of London as the polluted, diseased heart of an industrialising nation. This great novel of inheritance, corruption and mystery, published in the serial form now associated with television drama, was also one of the first successful detective stories. In 2005, the BBC announced a major new adaptation, scripted by Andrew Davies, produced by double-BAFTA winner Nigel Stafford-Clark, and starring Gillian Anderson as Lady Dedlock.

Broadcast over eight hours in fifteen episodes, this Bleak House, in an appeal to youthful audiences, controversially combined the suspense of soap opera with visual innovation, careful attention to period detail, and outstanding performances.

Christine Geraghty's revealing study traces the double narrative in which the youthful protagonists grow into adulthood while the doomed Lady Dedlock is hunted to death in a tele-noir adaptation of the British novel's first detective story. She examines how the different styles of acting relate to Dickens's own vivid characterisation, taking issue with Davies's attitude to Dickens's most complex heroine, Esther Summerson. She explores the series' settings, including a London styled as a soap-opera set, and the great country houses where secrets are kept under wrap. And, using illustrations from the novel, she looks at how the traditional Dickensian 'pictures' were innovatively combined with HD visuals to powerful effect.

This fascinating study strongly makes the case for the contemporary BBC adaptation of Bleak House as a true television classic.

The BFI TV Classics is a series of books celebrating key individual television programmes and series. Television scholars, critics and novelists provide critical readings underpinned with careful research, alongside a personal response to the programme and a case for its 'classic' status.