<p>"Rather than recycling the colonial approach to power and subjectivity, which defines the self through the ridicule of the other, <i>Black Womanhood</i> provides various textual, visual, and personal tactics that can contribute to re-imagining a more humane way forward."</p>

Woman's Art Journal

<p>"Twenty years ago, Barbara Kruger coined her now-infamous slogan, 'your body is a battleground,' in a campaign to increase awareness of how women's bodies are marketed as commodities. Visually stunning and intellectually provocative, <i>Black Womanhood</i> resurrects that dialogue and complicates an embattled body in which blackness is a catalyst, surface, symbol, subject, and object that, while transformative on many levels, continues to appear alarmingly vulnerable to exploitation and stereotyping."</p>

caa.reviews

<p>"A serious academic endeavor, suitable for scholars and the general public alike."</p>

Book News

Se alle

<p>"This collection of essays is as richly insightful as it is beautifully produced. . . . The originality of the images and interpretations make this catalogue essential to understanding how fully clothed the unclothed body truly is."</p>

Publisher's Weekly

Explorations of contemporary art have focused on issues of identity and race for some time. Few, however, have sought to investigate these themes by juxtaposing historical and contemporary frameworks. Black Womanhood examines an especially charged icon--the black female body--and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies.This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Peeling back layers of social, cultural, and political realities, Black Womanhood explores how historic icons inform contemporary artistic responses to the black female body through an examination of themes such as beauty, fertility and sexuality, maternity, and women's roles and power in society.More than 200 historical and contemporary images accompany written contributions by artists, curators and scholars. This compelling volume makes a valuable contribution to ongoing discussions of race, gender, and sexuality by promoting a deeper understanding of past and present readings of black womanhood, both in Africa and in the West.
Les mer
Explorations of contemporary art have focused on issues of identity and race for some time. Few, however, have sought to investigate these themes by juxtaposing historical and contemporary frameworks. This book examines an especially charged icon - the black female body.
Les mer
Lenders to the ExhibitionForeword / Brian P. KennedyAcknowledgments / Barbara ThompsonIntroduction / Barbara ThompsonPart One | Iconic Ideologies of Womanhood: African Cultural Perspectives1. The African Female Body in the Cultural Imagination / Barbara Thompson2. African Women's Body Images in Postcolonial Discourse and Resistance to Neo-Crusaders / Ifi Amadiume3. Les Parisiens d'Afrique: Mangbetu Women as Works of Art / Enid SchildkroutPlatesPart Two | Colonizing Black Women: The Western Imaginary4. The Black Female Body, the Postcard, and the Archives / Christraud Geary5. The Body of a Myth: Embodying the Black Mammy Figure in Visual Culture / Kimberly Wallace-SandersPlatesPart Three | Meaning and Identity: Personal Journeys into Black Womanhood6. Picturing the New Negro Woman / Deborah Willis7. The Women Who Posed: Maudelle Bass and Florence Allen / Carla Williams8. Housing and Homing the Black Female Body in France: Clixthe Beyala and the Legacy of Sarah Baartman and Josephine Backer / Ayo Abiétou Coly9. Decolonizing Black Bodies: Personal Journeys in the Contemporary Voice / Barbara ThompsonPlatesArtistsContributorsBibliographyIndex
Les mer
African and African American art reveals the roots of a charged icon: the black female body.

Produktdetaljer

ISBN
9780295987705
Publisert
2008-03-26
Utgiver
Vendor
University of Washington Press
Vekt
2109 gr
Høyde
305 mm
Bredde
229 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
376

Redaktør

Om bidragsyterne

Barbara Thompson is curator of African, Oceanic, and Native American collections at the Hood Museum of Art, Dartmouth College. The other contributors are Ifi Amadiume, Ayo Abietou Coly, Christraud Geary, Enid Schildkrout, Kimberly Wallace-Sanders, Carla Williams, and Deborah Willis.