"Shortlisted for the Alfred H. Barr Jr. Award, College Art Association"
"An Art Newspaper Top Art Book of the Year"
"This beautiful book . . . details the artistâs journeys over 50 years, from trips to Morocco in 1968 and Guatemala in 2018. . . . It is as close as a mass-produced art tome gets to an artistâs bookâa covetable object in its own right."<b>---Ben Luke, <i>The Art Newspaper</i></b>
"Full-colour throughout, this fabulous volumeâas close as commercial publishing gets to an artistâs bookâexplores the importance of travel for the African American sculptor Betye Saar. Interweaving the explanatory text and images of Saarâs assemblages (found material combined with the artistâs own drawings and paintings) are full-page facsimiles of her fascinating travel journals."<b>---Jacqueline Riding, <i>The Art Newspaper</i></b>
"Determined to expand awareness about this much overlooked Black artist, <i>Betye Saar</i> . . . extends the previous scope of insight into her practice beyond her assemblages; the book includes color reproductions of half a dozen notebooks from her decades of world travel."<b>---Patrick James Dunagan, <i>Rain Taxi Review of Books</i></b>
"Covered with bold, saturated watercolors alongside gleaned materials such as dried flowers, currency, and stamps, the books capture the emotion and excitement of venturing abroad"<b>---Carly Pippin, <i>Getty</i></b>
"Saarâs assemblage pieces. . . . [are] visual delights: alluringly intricate, mysterious, complex"<b>---Murray Whyte, <i>Boston Globe</i></b>