<p>“Delphine Letort's Barry Jenkins and the Legacies of Slavery- The TV Series Adaptation of The Underground Railroad deploys a remarkably rich analysis which describes how American film and television obscurespast and present reality racism and sexism that the entertainment industry obscure by funding pollyannaishstories that avoid the dehumanizing fact of structural racism and male-centric narratives. Letort grasps thecorrelating aspects of visual, gender, and racial subjectivity and their systemic social history. Her bookprovides a meticulous analysis of Barry Jenkins’ television adaptation of Colson Whitehead’s The Underground Railroad. Barry Jenkins and the Legacies of Slavery should be required reading for courses onAmerican media, history, critical race theory, and womanism.”</p>

- Mark A. Reid, University of Florida,

<p>“Not only does Delphine Letort offer a thoughtful analysis of this landmark series, but she also proposes a much-needed call for moral, ethical, and emotional approaches to TV studies. Her savvy ability to juggle close aesthetic and thematic analysis with the historical phenomena that underpin the fiction makes this book a valued text for those interested in television studies, cultural studies, African-American studies, or US History.”</p>

- Shannon Wells-Lassagne, University of Burgundy,

In this book, Delphine Letort examines the plots and ploys that intermingle fiction and history in Barry Jenkins’ television adaptation of The Underground Railroad, allowing viewers to experience enslavement and flight through the eyes of the female protagonist, Cora. Letort demonstrates how the fusion of imaginary and real elements underlies a poetic visual and narrative style to guide viewers’ emotional and epistemological understanding of the past. She posits that another imagery of enslavement can be created—one that does not position the black woman at the margins of slavery cinema and history—as the mise-en-scène of the underground as a symbolic space representing the hidden and the repressed opens new fictional possibilities for imagining the intimate life of the enslaved. Ultimately, this book reveals how the serial format proves instrumental in transforming the gaze on the racial subject, using repetition and difference from one episode to the next to prompt new ways of seeing. Scholars of film and television studies, popular culture, history, and critical race theory will find this book of particular interest.
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In this book, Delphine Letort illuminates the intertwining of fiction and history in the TV series adaptation of The Underground Railroad. Letort highlights the narrative and audio/visual strategies used by Barry Jenkins to make for an 'affective moment' on television.
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List of FiguresForeword: Michael T. MartinAcknowledgementsIntroductionChapter 1: Serializing the Memories of the Underground RailroadChapter 2: The Underground: From History to ImaginationChapter 3: Deconstructing the Slavery FilmChapter 4: Incidents in the Life of CoraChapter 5: A History of Race and ViolenceConclusionBibliographyAbout the Author
Les mer
“Delphine Letort's Barry Jenkins and the Legacies of Slavery- The TV Series Adaptation of The Underground Railroad deploys a remarkably rich analysis which describes how American film and television obscurespast and present reality racism and sexism that the entertainment industry obscure by funding pollyannaishstories that avoid the dehumanizing fact of structural racism and male-centric narratives. Letort grasps thecorrelating aspects of visual, gender, and racial subjectivity and their systemic social history. Her bookprovides a meticulous analysis of Barry Jenkins’ television adaptation of Colson Whitehead’s The Underground Railroad. Barry Jenkins and the Legacies of Slavery should be required reading for courses onAmerican media, history, critical race theory, and womanism.”
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Produktdetaljer

ISBN
9781666918403
Publisert
2023-08-08
Utgiver
Vendor
Lexington Books/Fortress Academic
Vekt
426 gr
Høyde
238 mm
Bredde
159 mm
Dybde
15 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
162

Forfatter
Foreword by

Om bidragsyterne

Delphine Letort is professor of film and American studies at the University of Le Mans.