A collection of the keyboard music of the period 1600-1750, offering a fairly representative selection of the forms, styles and composers of that period. Provides both scholarly performing editions and sources of enlightenment on performance conventions. Edited by Dr Richard Jones, a leading Bach scholar.

Duke of York's March [Anon.] ; Menuet in D minor, BWV Anh. 132 [Anon.] ; Ouverture in F (Suite), BWV 820: 3rd and 4th movements, Menuet and Trio [J. S. Bach] ; Ouverture in F (Suite), BWV 820: 6th movement, Gigue [J. S. Bach] ; Prelude and Partita in F, BWV 833: 4th movement, Sarabande [J. S. Bach] ; The Pilgrim [John Barrett] ; Air in C [John Blow] ; Gavott in C ; Saraband in C [John Blow] ; Sarabande in F minor [Bohm] ; Sarabande in F [Chambonnieres] ; Aire in C [Jeremiah Clarke] ; Premier Air pour la Suite du Trophee, from 21st Ordre, 'Pieces de Clavecin', Book 4 [F Couperin] ; Branle de Basque [L Couperin] ; Minuet in G minor [William Croft] ; Scotch Tune [William Croft] ; L'Agreable, from 'Pieces de Clavecin', Book 1 [Dandrieu] ; Suite No. 4 in C: 9th movement, Suite de la Rejouissance: Gavotte en Rondeau [Daquin] ; Corrente prima in D minor [Frescobaldi] ; Menuet in G [Graupner] ; Aire in A [M Greene] ; Saraband in G [W. Lawes] ; Menuet in F, from 'Pieces de Clavecin' [G. Le Roux] ; Gavotte in C, from 'Les Pieces de Clavessin' [Lebegue]