<p><b><i>Praise for the First Edition</i></b></p><p><i>Art, Media Design, and Postproduction</i> is the perfect synthesis of practice and theory. It provides sensible guidelines and engaging exercises in the aesthetics of remix and appropriation. It also offers a sophisticated framework for appreciating the history and theory of remix. An indispensable text for every theorist, artist, or designer interested in this key aspect of contemporary media culture.</p><p><b>Jay David Bolter</b>, <i>Georgia Institute of Technology, USA.</i></p><p>This collection of writings on the immensity of remixing, sampling, collage and the other recombinant arts is sly, fresh, and relentlessly engaging. It reaffirms the resiliency of the artistic imagination in an era of digital overload. Read it as a guide for the perennially optimistic in a very cynical and dark time.</p><p><b>Paul D. Miller aka DJ Spooky</b></p><p>In this ground-breaking book, Eduardo Navas puts Remix Theory to work, providing readers with a practical guide to thinking remix by doing remix. He expertly stages innovative engagements with content creation practices that are designed not just to be read but to be used and reused in new and revealing ways.</p><p><b>David J. Gunkel</b>, <i>Northern Illinois University, USA.</i></p>

A concise guide to the creative application of appropriation and remix that offers a set of open-ended guidelines for art and design studio-based projects, this book explores creativity with emerging technology, including artificial intelligence.This fully revised and expanded second edition engages with the ongoing recycling and repurposing of content and form, and the new directions the emerging form of metacreativity is taking art and design as artists continue to expand their creative methodologies. Exploration of metacreativity is new to this edition, with a focus on remix principles, the implementation of data analysis and the delegation of parts of the creative process to automated algorithms and artificial intelligence. Each chapter includes an introduction, goals for guidelines of a studio-based project, with an explanation of relevant history, as well as examples and case studies. Each set of guidelines is open-ended, enabling the reader to repurpose the instructional material according to their own methodologies and choice of medium. Navas also provides historical and theoretical context to encourage critical reflection.The second edition remains the first book of guidelines to take into account the historical, theoretical, and practical context of remix as an interdisciplinary act, this is an essential read for those interested in remix studies and appropriation in art, design, and media.
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A concise guide to the creative application of appropriation and remix that offers a set of open-ended guidelines for art and design studio-based projects, this book explores creativity with emerging technology, including artificial intelligence.
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AcknowledgmentsList of FiguresIntroduction General Remix Principles and Key TermsPart 1: Media ProductionChapter 1: Randomized Signification – Elements for ExchangeChapter 2: Analogized Codification – Mashups of Image and TextChapter 3: Sampling Creativity – Material Sampling and Cultural CitationChapter 4: Vectorial Pixels – Visual Aesthetics of Binary CodeChapter 5: Bifurcated Meaning – Infliction of StatementsEssay: Modernism and Media ProductionPart 2: MetaproductionChapter 6: Domesticated Noise – Manipulation of Sound Chapter 7: Visual Aurality – Image and Sound as DataChapter 8: Versioning Time-Based Media – Reedits of Video and SoundChapter 9: Time-Based Media in Physical Space – Loops in Video and Sound InstallationsChapter 10: The Assemblage Gaze – Of Media and HumansEssay: Postmodernism and MetaproductionPart 3: PostproductionChapter 11: Media Mashups – Appropriation and Remix of Image, Sound, and TextChapter 12: Regenerative Motion – Correlated Time Based MediaChapter 13: Reflexive Mashups – Aesthetics of Data Driven ObjectsChapter 14: Distributed Collaboration – Collective Work Across NetworksChapter 15: Aesthetics of Negation – The Negative Selective ProcessEssay: The Prefix and Post ProductionPart 4: MetacreativityChapter 16: Visual Analytics: Image Mining and Artificial IntelligenceChapter 17: Textual Analytics: Text-Mining and Artificial IntelligenceChapter 18: Sound Analytics: Sound-Mining and AutomationChapter 19: Creative Prompts: Artificial Intelligence for Image and Text ProductionChapter 20: Automated Bifurcations: Artificial Intelligence and Media ProductionEssay: Metacreativity and AI AestheticsIndex
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Produktdetaljer

ISBN
9781032510002
Publisert
2025-05-12
Utgave
2. utgave
Utgiver
Vendor
Routledge
Høyde
229 mm
Bredde
152 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
424

Forfatter

Om bidragsyterne

Eduardo Navas is Associate Research Professor of Art and Digital Arts & Media Design, Associate Director of Access and Equity in the School of Visual Arts, and Research Faculty in the College of Arts and Architecture's Arts & Design Research Incubator (ADRI) at Pennsylvania State University, USA. He researches and teaches principles of cultural analytics, digital humanities, and emerging technologies. Navas is author and co-editor of several titles, including Keywords in Remix Studies (2017), The Routledge Handbook of Remix Studies and Digital Humanities (2021), The Rise of Metacreativity: AI Aesthetics After Remix (2023), and The Routledge Companion to Remix Studies, 2nd edition (2025).