"New York-based performance artist Margolin isn't nearly as well known as such more outrageous, taboo-flouting peers....That is a shame because Margolin creates intelligent, incisive, richly textured pieces that put the often subliterate work of higher-profile artists to shame. She began her career in the early '80s, writing material for the feminist troupe Split Britches, making a name for angry but intensely funny deconstructions of the world. By the early '90s, she was on her own, with status in the downtown scene, regularly receiving kudos in the Village Voice and the rest of the New York press. Of All the Nerve includes the scripts of seven solo shows. The title piece, a wonderful, whimsical meditation on the nature of performance and a performer's life in New York, combines with the others to reveal Margolin's full range. The scripts are accompanied by essays and commentaries by Lynda Hart that...make quite a contrast to Margolin's accessible, carefully crafted writing."--Booklist

"...has a succinct sort of charm...both aims [critical intro to artist and scholarly intro to field] are fulfilled in this wonderfully written book."--The Drama Review, 1/03

The "Critical Performance" series pairs a performance artist or playwright with a critical theorist in a dialogue aimed to elucidate both disciplines. This volume focuses on Deb Margolin, one of the three founding members of the American performance troupe Split Britches.
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The "Critical Performance" series pairs a performance artist or playwright with a critical theorist in a dialogue aimed to elucidate both disciplines. This volume focuses on Deb Margolin, one of the three founding members of the American performance troupe Split Britches.
Les mer
Introduction - a love letter; of all the nerve; commentary - beauty and the beast; 970 - DEBB; commentary - the girl can't help it; gestation; commentary - there's a party going on in here; of mice, bugs and woen; commentary - a little night music; carthieves! joyrides!; commentary - making time; o wholly night and other Jewish solecisms; commentary - like a virgin; critical mass; commentary - going critical.
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Combining performative texts with critical theory and personal reflection, each volume in the series pairs a performance artist/playwright with a critical theorist in a dialogue aimed to elucidate both disciplines. These books are designed both as critical introductions to the artists and as scholarly introductions to the field at large.
Les mer

Produktdetaljer

ISBN
9780304703197
Publisert
1999-07-01
Utgiver
Vendor
Continuum International Publishing Group Ltd.
Vekt
320 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
UU, P, UP, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Redaktør
Forfatter

Om bidragsyterne

LYNDA HART is an Assistant Professor of English at Xavier University in Cincinnati where she teaches Modern and Contemporary Drama and Shakespeare.