'Matthew Dimmock's stated aim is to recover Mahomet and His Heaven "for any consideration of early English mythologies of Islam and the Prophet Muhammad". It is a task he performs admirably - his edition contributes to an important and growing field of scholarship. But theatre history, too, has seen significant development, and the play has much to offer on this front. Perhaps especially because it is unlikely to see production, scholarly attention to this text's exceptional focus on performance remains a necessary task.' Times Literary Supplement ’Dimmock's editorial skills are admirable. His introduction places the work in proper, historical, cultural and theological context. ... All things considered, the play is of paramount importance for any consideration of representations of Islam in the Renaissance, especially for those who want to look at the complexities of presenting Islam as a faith on the English stage.’ Modern Language Review ’Matthew Dimmock’s new edition of William Percy’s play Mahomet and His Heaven (1601) represents a crucial step in the rehabilitation of a significant seventeenth-century author. ... Dimmock duly makes use of Clayton Joseph Burns’s unpublished work on this very play. His new study is, nevertheless, the first scholarly edition of any of Percy’s works to appear in print. Reading both the play itself and the rich and stimulating scholarly apparatus supplied by the editor”including an introduction and explanatory notes spanning about sixty pages each”one can only wonder that the process has taken so long.’ Huntington Library Quarterly ’As with his influential study New Turkes, Dimmock’s critical and historical acumen make this valuable and timely book essential reading for students and scholars interested in understanding early modern imaginings of Islam.’ Sixteenth Century Journal