War on Crime Bandits, G-Men, and the Politics of Mass Culture
Produktdetaljer
Om bidragsyterne
CLAIRE BOND POTTER is an associate professor of history at Wesleyan University.War on Crime introduces a whole new dimension into analysis of the evolution of the American state in the twentieth century. In Potter's exceedingly capable hands, a New Deal in national policing proves equally as significant as the more frequently discussed federalizations of social welfare, industrial relations, and economic policy.
- Lizabeth Cohen, Harvard University
Based on exhaustive and imaginative research, Claire Bond Potter intelligently blends political, cultural, and social history to produce the most satisfying account yet of the forces behind the FBI's rise to power and glory during the Dillinger days of the 1930s.
- Richard Gid Powers, author of G-Men: Hoover's FBI in American Popular Culture and Secrecy and Power: The Life of J. Edga
No one who reads Potter will any longer be able to separate the cultural development of the period from the growing role of the FBI, which staged a social coup in legitimizing its professional services in the 'war on crime.'
- Paula Fass, University of California, Berkeley
Anxieties about crime today have become a familiar route for the creation of new government agencies and the extension of state authority. It is important to remember the original "war on crime" in the 1930s-and the opportunities it afforded to New Dealers and established bureaucrats like J. Edgar Hoover-as scholars grapple with the ways states assert influence over populations, local authority, and party politics while they pursue goals such as reducing popular violence and protecting private property.
Scientific policing, masculinity, and bureau reform
The making of a crime wave
Romance, bandit identity, and the rise of celebrity bandits
Kidnapping, federal policing, and the role of the public in the war on crime
John Dillinger as political actor
The Barker-Karpis Gang, surveillance, and the victory of federal policing