Contributions by Ruth R. Caillouet, Mary C. Carruth, Nancy Dixon, Kathleen Downes, Edward J. Dupuy, Shari Evans, Paul Fess, Carina Evans Hoffpauir, Leslie Petty, Heidi Podlasi-Labrenz, Tierney S. Powell, Shanna M. Salinas, Matthew Teutsch, and Marcus Charles Tribbett
Voices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo.
Examining this wide array of voices demonstrates the myriad ways New Orleans’s storied past has affected its present. Scholars find enduring themes—race, gender, religion, disease, art—but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement.
Voices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo.
Examining this wide array of voices demonstrates the myriad ways New Orleans’s storied past has affected its present. Scholars find enduring themes—race, gender, religion, disease, art—but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement.
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Examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems. The thirteen essays treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers.
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- Introduction
- Nancy Dixon and Leslie Petty
- Part One: Prose
- 1. Blake in the Crescent City: Martin R. Delany Reimagines Antebellum Radicalism
- Paul Fess
- 2. Moral Contagion: Yellow Fever and the Moral Character of New Orleans
- Kathleen Downes
- 3. "The Voice of the Sea": The Specter of Transatlantic Slavery in The Awakening
- Carina Evans Hoffpauir
- 4. "Moving from the Inside Out": Malwida von Meysenburg and the Portrayal of a New Feminine Experience in The Awakening"
- Heidi Podlasli-Labrenz
- 5. "The Unjust Spirit of Caste" in Charles W. Chesnutt’s and George Washington Cable’s New Orleans Novels
- Matthew Teutsch
- 6. More than One City of New Orleans: Eudora Welty and Zora Neale Hurston’s Crescent City
- Ruth R. Caillouet
- 7. New Orleans in Walker Percy’s Works: Place, Placement, Nonplacement, and Misplacement
- Edward J. Dupuy
- Part Two: Poetry
- 8. Les Cenelles and Censorship
- Nancy Dixon
- 9. (Re)mapping the Colonial City: Joy Harjo’s Composite Poetic in "New Orleans"
- Tierney S. Powell
- 10. A Cabdriver Sings the Blues: Mem Shannon’s Articulation of Urban Life and Working-Class Resistance in Late Twentieth-Century New Orleans
- Marcus Charles Tribbett
- 11. Slave-Bricked Streets and Women’s Work: The Practiced Place of Brenda Marie Osbey’s New Orleans
- Shari Evans
- 12. Demythologizing the New Orleans "Octoroon": Natasha Trethewey's Bellocq's Ophelia
- Mary C. Carruth
- 13. "Because We Need to Hurt in Public": Embodying the Spectacle of Hurricane Katrina’s Black Suffering in Patricia Smith’s Blood Dazzler
- Shanna M. Salinas
- About the Contributors
- Index
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Produktdetaljer
ISBN
9781496853639
Publisert
2025-01-31
Utgiver
Vendor
University Press of Mississippi
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
277
Om bidragsyterne
Nancy Dixon teaches English and chairs the English Program at Dillard University. She has edited several books about New Orleans, its literature, and history, and she served as executive editor of New Orleans & The World: 1718-2018 Tricentennial Anthology.Leslie Petty is professor of English and the T.K. Young Chair of English Literature at Rhodes College in Memphis, Tennessee. Her work has appeared in journals such as Studies in the American Short Story and Legacy. She also serves as executive coordinator for the American Literature Association.