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Victorian Glassworlds Glass Culture and the Imagination 1830-1880

Armstrong Isobel
Innbundet / 2008 / Engelsk

Produktdetaljer

ISBN
9780199205202
Publisert
2008
Utgiver
Oxford University Press; Oxford University Press
Vekt
1090 gr
Høyde
255 mm
Bredde
180 mm
Dybde
30 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
472

Forfatter
Armstrong Isobel

Victorian Glassworlds Glass Culture and the Imagination 1830-1880

Armstrong Isobel
Innbundet / 2008 / Engelsk
Armstrong Isobel
Innbundet / 2008 / Engelsk
Nettpris:
1.176,-
Levering 7-20 dager
Sjekk lagerstatus i butikk

Intellectually, theoretically, and methodologically, Victorian Glassworlds is a remarkable study to which scholars working in the field of Victorian studies will return again and again.

Mike Sanders, Modern Philology

Armstrong's book is a jewel among academic publications... It is a multifaceted book, the complexity of which - both theoretical and rhetorical - is impressive.

Monika Pietrzak-Franger, The British Society for Literature and Science

a challenging, major work

Thomas Marks, The Cambridge Quarterly

Se alle

Richly researched... A book of great originality and even greater ambition.... in chapter after chapter, Armstrong succeeds in bringing both wide-angle and close-up views of the nineteenth century into fresh focus... a major work

Robert Douglas-Fairhurst, Times Literary Supplement

Sumptous production quality and copious illustrations... This challenging book is worth the effort for the new window it opens on the crucially important Victorian period.

Nature

Like the world of glass it describes, this is a book of gleaming virtuosity. We quickly enter a vision of Victorian England that is dazzlingly new - a glass democracy of crystal boulevards and aerial spaces. Light comes flashing to us from every direction, even as the image of human labour and breath remains steadily in view.

Elaine Scarry, Cabot Professor of Aesthetics and the General Theory of Value, Harvard University

a brilliant and challenging exploration... remarkable

Kate Flint, The Review of English Studies

this marvellous book tells the story of the creation, in the nineteenth century, of whole worlds of glass, with languages and cultures to go with each of them. There is news on every page, and lovingly evoked detail in profusion, but there is also deeply reflective thought and theory. Anyone else might have got lost among these treasures, but Isobel Armstrong always knows just where she is, even when, especially when, she manages to be in so many places at once. Her learning is prodigious but so is her unfailing and enticing clarity.

Michael Wood

the book embodies its subject matter by casting prismatic rays of thought in a myriad of unexpected directions

Andrew Rudd, True Principles

a thoughtful, painstaking and impressively scholarly book which covers an enormous amount of ground in some detail. It will be invaluable resource for serious students of Victorian society, arts and culture

Vulpes Libris

a rich, vituoso concoction of literary and historical sources ... It is full of clever and challenging ideas about a material that, since the Victorian period, has become an essential component of modern life.

Peter Cormack, Journal of Stained Glass

Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Les mer
Isobel Armstrong's startlingly original book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period.
Les mer
Introduction: The Poetics of Transparency ; PART 1 FACETS OF GLASS CULTURE: MAKING AND BREAKING GLASS ; 1. Factory Tourism: Morphology of the 'Visit to a Glass Factory' ; 2. Robert Lucas Chance, Modern Glass Manufacturer: fractures in the glass factory ; 3. Riot and the Grammar of Window-Breaking: the Chances, Wellington, Chartism ; 4. The Glassmakers' Eloquence: a Trade Union Journal, the Royal Commission, 1868 ; Conclusion ; PART 11 PERSPECTIVES OF THE GLASS PANEL: WINDOWS, MIRRORS, WALLS ; 5. Reflections, Translucency, Aura, Trace ; 6. Glassing London: Building Glass Culture, Real and Imagined ; 7. Politics of the Conservatory: Glasshouses, Republican and Populist ; 8. Mythmaking: Cinderella and her Glass Slipper at the Crystal Palace ; 9. Glass under Glass: Glassworld Fictions ; PART 111 LENS-MADE IMAGES: OPTICAL TOYS AND PHILOSOPHICAL INSTRUMENTS ; 10. The Lens, Light, and the Virtual World ; 11. Dissolving and Resolving Views: from Magic Lantern to Telescope ; 12. Microscopic Space ; 13. Crystalphiles, Anamorphobics, and Stereoscopic Volume ; 14. Coda on Time: Fixing the Moving Image and Mobilising the Fixed Image - Memory, Repetition, and Working Through ; Conclusion: the End of Glass Culture - from Nineteenth-Century Modernity to Modernism
Les mer
This challenging book is worth the effort for the new window it opens on the crucially important Victorian period. Richly researched and densly written study...a book of great originality and even greater ambition.
Les mer
A properly ground-breaking book from a brilliant scholar of the Victorian period Uses the stories of the mass production of glass in the nineteenth century to provide a startling new account of the period Includes brilliant and totally original readings of artefacts, manufactured objects, and literary texts
Les mer
A properly ground-breaking book from a brilliant scholar of the Victorian period Uses the stories of the mass production of glass in the nineteenth century to provide a startling new account of the period Includes brilliant and totally original readings of artefacts, manufactured objects, and literary texts
Les mer

Relaterte produkter

Intellectually, theoretically, and methodologically, Victorian Glassworlds is a remarkable study to which scholars working in the field of Victorian studies will return again and again.

Mike Sanders, Modern Philology

Armstrong's book is a jewel among academic publications... It is a multifaceted book, the complexity of which - both theoretical and rhetorical - is impressive.

Monika Pietrzak-Franger, The British Society for Literature and Science

a challenging, major work

Thomas Marks, The Cambridge Quarterly

Se alle

Richly researched... A book of great originality and even greater ambition.... in chapter after chapter, Armstrong succeeds in bringing both wide-angle and close-up views of the nineteenth century into fresh focus... a major work

Robert Douglas-Fairhurst, Times Literary Supplement

Sumptous production quality and copious illustrations... This challenging book is worth the effort for the new window it opens on the crucially important Victorian period.

Nature

Like the world of glass it describes, this is a book of gleaming virtuosity. We quickly enter a vision of Victorian England that is dazzlingly new - a glass democracy of crystal boulevards and aerial spaces. Light comes flashing to us from every direction, even as the image of human labour and breath remains steadily in view.

Elaine Scarry, Cabot Professor of Aesthetics and the General Theory of Value, Harvard University

a brilliant and challenging exploration... remarkable

Kate Flint, The Review of English Studies

this marvellous book tells the story of the creation, in the nineteenth century, of whole worlds of glass, with languages and cultures to go with each of them. There is news on every page, and lovingly evoked detail in profusion, but there is also deeply reflective thought and theory. Anyone else might have got lost among these treasures, but Isobel Armstrong always knows just where she is, even when, especially when, she manages to be in so many places at once. Her learning is prodigious but so is her unfailing and enticing clarity.

Michael Wood

the book embodies its subject matter by casting prismatic rays of thought in a myriad of unexpected directions

Andrew Rudd, True Principles

a thoughtful, painstaking and impressively scholarly book which covers an enormous amount of ground in some detail. It will be invaluable resource for serious students of Victorian society, arts and culture

Vulpes Libris

a rich, vituoso concoction of literary and historical sources ... It is full of clever and challenging ideas about a material that, since the Victorian period, has become an essential component of modern life.

Peter Cormack, Journal of Stained Glass

Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Les mer
Isobel Armstrong's startlingly original book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period.
Les mer
Introduction: The Poetics of Transparency ; PART 1 FACETS OF GLASS CULTURE: MAKING AND BREAKING GLASS ; 1. Factory Tourism: Morphology of the 'Visit to a Glass Factory' ; 2. Robert Lucas Chance, Modern Glass Manufacturer: fractures in the glass factory ; 3. Riot and the Grammar of Window-Breaking: the Chances, Wellington, Chartism ; 4. The Glassmakers' Eloquence: a Trade Union Journal, the Royal Commission, 1868 ; Conclusion ; PART 11 PERSPECTIVES OF THE GLASS PANEL: WINDOWS, MIRRORS, WALLS ; 5. Reflections, Translucency, Aura, Trace ; 6. Glassing London: Building Glass Culture, Real and Imagined ; 7. Politics of the Conservatory: Glasshouses, Republican and Populist ; 8. Mythmaking: Cinderella and her Glass Slipper at the Crystal Palace ; 9. Glass under Glass: Glassworld Fictions ; PART 111 LENS-MADE IMAGES: OPTICAL TOYS AND PHILOSOPHICAL INSTRUMENTS ; 10. The Lens, Light, and the Virtual World ; 11. Dissolving and Resolving Views: from Magic Lantern to Telescope ; 12. Microscopic Space ; 13. Crystalphiles, Anamorphobics, and Stereoscopic Volume ; 14. Coda on Time: Fixing the Moving Image and Mobilising the Fixed Image - Memory, Repetition, and Working Through ; Conclusion: the End of Glass Culture - from Nineteenth-Century Modernity to Modernism
Les mer
This challenging book is worth the effort for the new window it opens on the crucially important Victorian period. Richly researched and densly written study...a book of great originality and even greater ambition.
Les mer
A properly ground-breaking book from a brilliant scholar of the Victorian period Uses the stories of the mass production of glass in the nineteenth century to provide a startling new account of the period Includes brilliant and totally original readings of artefacts, manufactured objects, and literary texts
Les mer
A properly ground-breaking book from a brilliant scholar of the Victorian period Uses the stories of the mass production of glass in the nineteenth century to provide a startling new account of the period Includes brilliant and totally original readings of artefacts, manufactured objects, and literary texts
Les mer

Produktdetaljer

ISBN
9780199205202
Publisert
2008
Utgiver
Oxford University Press; Oxford University Press
Vekt
1090 gr
Høyde
255 mm
Bredde
180 mm
Dybde
30 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
472

Forfatter
Armstrong Isobel

Relaterte produkter