The brevity of this work (seventy-five pages) should not blind the reader to the fact that it is a complex and comprehensive summary written for a knowledgeable audience. Plokhy is particularly adept at referring the reader to the important problems and contradictions that make up Ukrainian identity as it developed in the Little Russian context… This study is a pleasure to read and adds in important ways to our awareness of the sources of Cossack and Ukrainian identity.

- Carol B. Stevens, The Russian Review

Serhii Plokhy’s <i>Tsars and Cossacks: A Study in Iconography</i> explores the complex interaction of the political, religious, and artistic aspects of the iconographic types of the Pokrova, the protective mantle of the Mother of God, as it evolved in the Ukrainian lands during the seventeenth and eighteenth centuries. This cameo of a book of just seventy-five pages offers the reader a rich view of a society in transition… On the whole, Plokhy’s ideas are as original as is his argument well-substantiated. Above all, one would heartily welcome a work of such fine quality dedicated to the history of a European people that even until now largely remains an ‘unexpected nation’ to the West.

- L. V. Charipova, Slavic and East European Review

Serhii Plokhy’s study of the ideology and rhetoric of icons of the Pokrova (the Holy Protection of the Mother of God) presents the reader with a most engaging marriage of meticulous historical argument with the intrigue and suspense of the detective novel… <i>Tsars and Cossacks</i>…adds richly to our understanding of the political and cultural force fields that bore on Cossack Ukraine. It also provides a welcome example of the wealth of historical insight that can be gained from serious and detailed engagement with cultural artifacts, and demonstrates that even the most erudite historical writing can be appealing and accessible.

- Marko Pavlyshyn, Australian Slavonic and East European Studies