Time and Antiquity in American Empire is a fascinating inquiry into the multiple -- and often unexpected -- ways in which Roman analogies are germane to US imperial discourse. It is undoubtedly a major intervention in the political history of classical models, and it makes a compelling contribution to our understanding of transatlantic historical time.

Ronan Ludot-Vlasak, Transatlantica

Time and Antiquity in American Empire is a fascinating inquiry into the multiple-and often unexpected-ways in which Roman analogies are germane to US imperial discourse. It is undoubtedly a major intervention in the political history of classical models, and it makes a compelling contribution to our understanding of transatlantic historical time.

Ronan Ludot-Vlasak, Transatlantica

Time and Antiquity in American Empire asks us to reimagine the ways we might undertake comparative literature, by, as Walter Benjamin invokes, 'grasp[ing] the constellation which [our] own era has formed with a definite earlier one' in an analogical network of dynamic, overlapping and ever-unfurling significance.

Andrew Taylor, The Review of English Studies

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Time and Antiquity is a worthwhile read in the now vast body of work redefining our relationship to the ancient world. It will be of interest not only to American literary historians and to those with a specific interest in America's relationship to the Greco-Roman world.

Thomas Munro, Yale Department of Classics

This is a book about two empires—America and Rome—and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular genres that have reimagined America's and Rome's sometimes strange orbit: Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, however, Time and Antiquity in American Empire builds a more fundamental inquiry: about how we imagine both our politics and ourselves within historical time. It outlines a new relationship between text and context, and between history and culture; one built on the oscillating, dialectical logic of the analogy, and on a spatialising of historical temporality through the metaphors of constellations and networks. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read.
Les mer
This cultural history of the American empire via ancient Rome tracks the way writers and artists have imagined Roman antiquity as an analogy that variously bolsters and critiques American imperial power.
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Introduction: Roma Redux Part One: Histories 1: Republic 2: Slave Part Two: Genres 3: Dominion Without End: Christian Fiction 4: Among the Ruins: Travel Narratives 5: Waiting for the Barbarians: Science Fiction Epilogue: Roma Finita
Les mer
Time and Antiquity in American Empire is a fascinating inquiry into the multiple -- and often unexpected -- ways in which Roman analogies are germane to US imperial discourse. It is undoubtedly a major intervention in the political history of classical models, and it makes a compelling contribution to our understanding of transatlantic historical time.
Les mer
Brings canonical and popular writers and artists from across US history together, along with journalism, film, and photography Intervenes in debates about history, reading, and critique vital to today's questions around the value and future direction of literary and cultural studies Combines classical reception, American literature, and the philosophy of history
Les mer
Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He is the author of Rural Fictions, Urban Realities: A Geography of Gilded Age American Literature (Oxford University Press, 2013). He has published essays on American literature in numerous journals and collections, including Nineteenth-Century Literature, Modernism/modernity, and Neither the Time Nor the Place: Today's Nineteenth Century (Ed. Christopher Castiglia and Susan Gillman, Uni versityof Pennsylvania Press, 2021). He is also, with Stephen Shapiro, co-editor of the forthcoming Cambridge Companion to American Horror.
Les mer
Brings canonical and popular writers and artists from across US history together, along with journalism, film, and photography Intervenes in debates about history, reading, and critique vital to today's questions around the value and future direction of literary and cultural studies Combines classical reception, American literature, and the philosophy of history
Les mer

Produktdetaljer

ISBN
9780198871507
Publisert
2021
Utgiver
Vendor
Oxford University Press
Vekt
546 gr
Høyde
245 mm
Bredde
165 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
270

Forfatter

Om bidragsyterne

Mark Storey is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick. He is the author of Rural Fictions, Urban Realities: A Geography of Gilded Age American Literature (Oxford University Press, 2013). He has published essays on American literature in numerous journals and collections, including Nineteenth-Century Literature, Modernism/modernity, and Neither the Time Nor the Place: Today's Nineteenth Century (Ed. Christopher Castiglia and Susan Gillman, Uni versityof Pennsylvania Press, 2021). He is also, with Stephen Shapiro, co-editor of the forthcoming Cambridge Companion to American Horror.