"The appearance in English of this major text by Aleida Assmann will be welcomed by all scholars of cultural memory. Shadows of Trauma, lucidly translated by Sarah Clift, offers both an important introduction to Assmann's influential thinking about how individuals and societies recall traumatic pasts and a sustained exploration of the memory of the Holocaust and World War II in the German context." -- -Michael Rothberg author of Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization "For readers of German, Shadows of Trauma is a classic in the field of memory studies. We are fortunate now to benefit from Aleida Assmann's elegant elucidation of key theoretical concepts and analysis of important debates animating the memory of the Second World War and the Holocaust in contemporary Germany. At the same time, Assmann's own original and often surprising conceptualizations of the workings of individual, social, political, and collective memory are as definitive as they are provocative and productive." -- -Marianne Hirsch Columbia University

We have left the twentieth century, but this century of violence and extremes has not left us: Its shadow has become longer and blacker. Seventy years after the end of the Second World War, the memory of the Holocaust is less and less anchored in the lived experience of survivors and witnesses. Shadows of Trauma analyzes the transformation of the past from an individual experience to a collective construction, with special attention to the tensions that arise when personal experience collides with official commemoration. In addition to surveying memory’s important terms and distinctions, Assmann traces the process that emerged after the fall of the Berlin Wall, of creating a new German memory of the Holocaust. Assmann revisits the pitfalls of “false memory” and lingering forms of denial and repression, as well as the new twenty-first-century discourses, such as that of German “victimhood,” as well as the new memory sites for a future in which German memory will be increasingly oriented toward a European context. Combining theoretical analysis with historical case studies, the book revisits crucial debates and controversial issues out of which “memory culture” has emerged as a collective project and a work in progress.
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The book traces the process of creating of a new German memory of the Holocaust after the fall of the Wall. Combining theoretical analysis with historical case studies, the book revisits crucial debates and controversial issues out of which Germany’s new ‘memory culture’ emerged as a collective project and work in progress.
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Preface to the English Language Edition Introduction Part I: Theoretical Foundations 1. From Individual to Collective Constructions of the Past 2. Basic Concepts and Themes of Individual and Collective Memory Part II: Analyses and Case Studies 3. How True are Memories? 4. False Memories: Pathologies of Identity at the End of the Twentieth Century 5. Incorrect Memories: On the Normative Power of Social Frameworks of Memory 6. Five Strategies of Represssion 7. German Narratives of Victimhood 8. Points of Intersection Between Lived Memory and Cultural Memory 9. Lieux de Memoire in Time and Space 10. The Future of Holocaust Memory 11. Europe as a Memory Community Conclusion: Shadows of Trauma Notes Bibliography Index
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“The appearance in English of this major text by Aleida Assmann will be welcomed by all scholars of cultural memory. Shadows of Trauma, lucidly translated by Sarah Clift, offers both an important introduction to Assmann’s influential thinking about how individuals and societies recall traumatic pasts and a sustained exploration of the memory of the Holocaust and World War II in the German context.”---—Michael Rothberg, author of Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization
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Produktdetaljer

ISBN
9780823267279
Publisert
2015-12-01
Utgiver
Vendor
Fordham University Press
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
312

Forfatter
Oversetter

Om bidragsyterne

Sarah Clift is Assistant Professor of Contemporary Studies at the University of King's College, Halifax.