Samuel Beckett and the Second World War Politics, Propaganda and a 'Universe Become Provisional'
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William Davies is a research fellow at the University of Reading. With Helen Bailey, he is the editor of Beckett and Politics (2020). He is an English editor of LONGITUDINES magazine.<p>[Beckett's] life between 1939 and 1945–6 has been well-documented ... but William Davies adds much detail, and his book is certain to become the standard work on the subject. But he has done far more than provide new information: he adds fresh strands to the narrative. His book explores, for instance, the issue of Vichy’s Révolution nationale and Beckett’s sarcastic depiction of the Pétain paradox as a ‘poor old misled man and hero of Verdun’ (p. 78). This is followed by a brilliant exposé of Beckett’s relationship to Irish neutrality and a fine analysis of his greatest poem ‘Saint-Lô’ (1946).</p>
John Fletcher, Journal of European Studies
William Davies’s <i>Samuel Beckett and the Second World War </i>is not only an excellent book; it is a <i>necessary</i> one—a book that puts to rest the notion, long operative in Beckett studies, that Beckett’s oblique fiction, drama, and poetry deal with large abstract philosophical questions rather than historical realities. Davies documents, step by step, the subtle and complex treatment, in Beckett’s writings, of the frightening politics of pre-war Nazi Germany and the mendacities of Vichy France, of life during the Resistance years, of his response to neutral Ireland, and finally to the postwar tension between Gaullist humanism and the Marxism of the intellectual Left, neither of which Beckett found palatable. Davies’s is revaluative criticism at its most enlightening.
- Marjorie Perloff, author of The Edge of Irony: Modernism in the Shadow of the Habsburg Empire,
William Davies’ <i>Samuel Beckett and the Second World War</i> argues, persuasively, that Beckett’s mature work is set in the shadow of war; although the texts might not refer to it directly, WW2 and its aftermath are woven into the texture of <i>Watt</i>, <i>Godot</i>, and the Trilogy. Davies traces the impact that conflict had on the evolution of Beckett’s art, and its traces in the maimed, solitary figures in his theatre and prose. Davies makes a compelling case; that Beckett’s work is profoundly shaped by war, and its impact on our idea of the human. This study will be a crucial part of discussions on the relation between Beckett’s work and the tumultuous events through which he lived.
- David Pattie, Senior Lecturer in Drama and Theatre Arts, University of Birmingham, UK,
This deep and original re-examination of Samuel Beckett’s experience in occupied France during World War Two is a revelation, a book that opens so many new vistas onto Beckett’s creative breakthrough, and the gestation of <i>Waiting for Godot</i>, <i>Endgame</i> and the post-war prose. A stunning debut.
Robert McCrum, Beckett Centre Creative Fellow, University of Reading, UK
Elegantly synthesizes a rich history of Vichy France.
Samuel Beckett Today / Aujourd'hui
In the wake of the Second World War, Samuel Beckett wrote some of the most significant literary works of the 20th century. This is the first full-length historical study to examine the far-reaching impact of the war on Beckett’s creative and intellectual sensibilities.
Drawing on a substantial body of archival material, including letters, manuscripts, diaries and interviews, as well as a wealth of historical sources, this book explores Beckett’s writing in a range of political contexts, from the racist dogma of Nazism and aggressive traditionalism of the Vichy regime to Irish neutrality censorship and the politics of recovery in the French Fourth Republic. Along the way, Samuel Beckett and the Second World War casts new light on Beckett’s political commitments and his concepts of history as they were formed during Europe’s darkest hour.
Series Editor Preface
Introduction
Chapter One – Beckett and the Second World War
Chapter Two – Beckett, War and the Everyday
Chapter Three – Revolution and Revulsion: Beckett and Vichy France
Chapter Four – Beckett and Irish Neutrality
Chapter Five – The Language of Recovery: Beckett and France after the Liberation
Chapter Six – Beckett and War Writing
Epilogue
Bibliography
Index
Historicizing Modernism challenges traditional literary interpretations by taking an empirical approach to modernist writing: a direct response to new documentary sources made available over the last decade.
Informed by archival research, and working beyond the usual European/American avant-garde 1900-1945 parameters the series reassesses established images of modernist writers by developing fresh views of intellectual backgrounds and working methods.
Series Editors: Matthew Feldman and Erik Tonning
Associate Editor: Natasha Periyan, Lecturer in Literature, King’s College London, UK
Editorial Board:
Professor Chris Ackerley, Department of English, University of Otago, New Zealand;
Professor Ron Bush, St. John’s College, University of Oxford, UK;
Dr Finn Fordham, Department of English, Royal Holloway, UK;
Professor Steven Matthews, Department of English, University of Reading, UK;
Dr Mark Nixon, Department of English, University of Reading, UK;
Professor Janet Wilson, University of Northampton, UK;
Santanu Das, University of Oxford, UK;
Nan Zhang, The University of Hong Kong;
Kevin Andrew Riordan, Nanyang Technological University, Singapore